Thanks to Charlie Horse 47 and Killdumpster for their sponsorship of this post, via the magic of Patreon.
***
I cannot deny it. I was one of the few people in Britain who missed the Northern Lights, this weekend.
But why should a man of my quality care about that when there are even greater spectacles to be witnessed in this world?
And when nearly all of them can be found in the pages of forty year old comics?
Rhodey, meanwhile, returns from the Secret Wars, to get on with his everyday job of super-heroing.
And that means it has all sorts of special abilities, including the power to think for itself.
But is that really as good a thing as some might assume?
The only problem is that, thanks to the Secret Wars, he's nowhere to be found.
Meanwhile, back in the United States, a man called Senator Kelly is pushing for the creation of a Mutant Control Act.
However, the English jungle lord annoys the hoodlum by not being nice enough to women, and thus it is that Kingy decides to let Daredevil give him a good beating.
And his sole ally is the elderly viking Eilif whose only ambition is to die in battle.
But it seems he got the fuzzy end of the lollipop, as he's returned with a broken leg and a serious anger-management problem.
Then again, he has plenty to be angry about, thanks to returning villain the Boomerang having abducted his girlfriend.
And it gets worse because, once that crisis is dealt with, Banner discovers former crimelord Max Hammer's been using the scientist's brand-new gamma cure to heal the sick.
That might have been good news but it turns out the cure possesses an alarming tendency to turn its recipients into raging monsters!
However, they're immediately confronted with the problem that they've got too many members.
Fortunately, a solution's quickly concocted which involves splitting the team into two and sending one half off to live on the East Coast while the rest remain in New York.
However, the barbarian is not one of those sharp-eyed observers and thinks she's a sweet, innocent girl who lots of rough men keep wanting to kill for no good reason.
Naturally, this leads him to want to protect her.
Naturally, this puts everyone, including himself, in deadly peril.
Also, by some means I don't recall, Nomad gets himself bashed about a bit.
As Charlie sits here waiting for the play Mama Mia to kick off, he glanced at SDC. Charlie’s eyes must not be sharp because he thought Mart Jane was on the cover of Conan…
ReplyDeleteSteve - Clearly, Conan # 158 caught your eye because it chimes with # 38 (recently discussed), which also had a werewoman! However, # 158's cover's werewoman looks like she's using a joke hairy/claw hand, from a trick shop!
ReplyDeleteRe: Iron Man - those declarative covers (c.f. Moon Knight # 9 & lots of other comics) are very much an early-mid 80s thing, aren't they? Can anyone think of a 70s comic with a declaration on the cover? I can't, off-hand.
Charlie - Random fact: Mary Jane was code for marijuana!
Phillip
AMAZING SPIDEY 121 — “SOMEONE CLOSE TO ME US ABOUT TO DIE!”
ReplyDeleteThat’s probably not really what you’re looking for, Phillip — more of a Melodramatic But Truthful Outburst than a Dramatically Underplayed Declaration — but that’s the closest thing I can think of.
(Sorry, Charlie)
b.t.
“IS” not “US”, obviously
ReplyDeleteb.t.
"One of Spidey's closest friends will die tonight - they just don't know it yet." An early-mid 80s rewrite (Likewise, apologies to Charlie, taking Gwen's memory in vain.)
ReplyDeleteb.t. - I think, in the 80s, some of these declaratives(?) were pasted on single (or maybe double, at the most) issue stories, to add more sensationalism/potential reader interest to basically a 'one & done' story. 70s stories were often continuing storylines, so the story itself created the interest to make you read on, and a gimmick strap-line wasn't needed. That's not to say all stories using those gimmick declarations were always crap. Some were okay!
Phillip
OK, then. Pretty busy month.
ReplyDeleteI still have that Iron Man. I binned all the other issues I had but I really liked this one.
I didn’t know until many years later that Social Issues were Denny O’Neill’s thing but I still think this is pretty strong stuff for a mainstream comic. And the layouts are the most interesting and experimental Luke McDonnell did in the whole run.
That Thor is great. Hey guess what? I sold my Thor omnibus a couple of weeks ago because try as I might I cannot get to grips with the digital re-colouring. The week after, they announced a Masterworks hardcover going back to the original colours. Fate!
I mistook that DD for the one where Mazzucchelli began inking his own stuff but that’s still a ways off.
Had that FF. No memory of the contents. It’s usually like that with me & John Byrne comics.
I picked up that Spider-Man on a whim and sold it off way way too early. If I had that issue now I could retire off it.
Change 'closest friends' to 'nearest & dearest', as Aunt May's face, on # 121's cover, marks her as a potential casualty, too.
ReplyDeletePhillip
Well Charlie and the missus had so much fun seeing Mama Mia this Sunday afternoon that we have come home to watch Eurovision 2024 re-broadcast ( on Peacock for Red, BT, and MP). Just learned ABBA won it 50 years ago with Waterloo.
ReplyDeleteWhat’s also cool is the program is kicked off by Blue Swede, a swedish group, singing their number one American hit from 50 years ago “hooked on a feeling.” What’s weird is that though #1 in the USA it only got to 90 in the UK???
Armenia was robbed, Charlie.
ReplyDeleteAnyway, Steve - I agree with Matthew that Thor #343 was great. Otherwise... I'm drawing a blank on the rest of the comics here, which is not surprising as they don't look at all like they were worth bothering with. Except Conan #158, which is quite a boring read but was drawn by the team of John Buscema and Rudy Nebres, so at least it looked good (even though they were phoning it in a bit).
Fortunately, there were better comics from the distinguished competition that month. Most notably the Moore/Bissette/Totleben Saga of the Swamp Thing #24, which was an instant classic right from the first line.
"There is a house above the world where the over-people gather..." What a brilliant take on the Justice League. Other DC writers would imitate that for a good couple of decades afterwards, and never bettered it. And it was only a cameo.
Also, Ronin #5 by Frank Miller, Nathaniel Dusk #4 by Don McGregor and Gene Colan -well, I liked it anyway (despite the implausible plot) - and Manhunter #1 reprinting the Archie Goodwin/Walt Simonson classic from the early 70s.
-sean
Swamp Thing 24!
Delete“Just close your eyes and say ‘timber’”! That beautiful line work by Totleben!
Those rich deep red colours!
Picked it up on a hot early summers day, and then went to meet a girl I had a crush on.
Ronin 5 was super-exciting as well: I’d picked up the first four issues in a rare trip to a comics shop in Manchester and had to wait what seemed an eternity for this one. Great loose blocky inking on tight rigid panels.
And Manhunter - I reckon I got that the same day as the Ronins and it blew me away. A top recommendation from Alan Moore in his article about Frank Miller in the DDs 1. I reckon I’ve bought no less than four editions of Manhunter over the years. Not bad going for a backup series from 50 years ago.
I didn’t buy a single one of these. Looking at Mike’s Newsstand, it looks like I did buy two Marvels that month : MARVEL TALES 163 and SECRET WARS 1. I also got some DCs : ATARI FORCE 5, MANHUNTER 1, RONIN 5, SAGA OF SWAMP THING 24, THRILLER 6 — and a handful of independents: AMERICAN FLAGG 8, MARS 5, LOVE AND ROCKETS 6, TWISTED TALES 8, SILVERHEELS 3.
ReplyDeleteI also picked up Quality’s DRACULA COMIC SPECIAL 1, reprinting comics adaptations of HORROR OF DRACULA and DRACULA, PRINCE OF DARKNESS by Paul Neary and John Bolton, from HOUSE OF HAMMER.
I think I was buying RONIN by rote at that point; I’m pretty sure I’d stopped actually reading it by then. I remember liking Hempel and Wheatley’s MARS series a lot but nowadays I can barely remember what it was about.
b.t.
Phillip, the cover of Conan The Barbarian #100 declares "Death On The Black Coast" as a distraught Conan holds a clearly dead Belit in his arms. CTB #100 went on sale in the US in May 1979 (but is dated August) so that sprang to mind as a '70s comic with a declaration on its' cover. When I saw that cover it was a massive spoiler for me because I'd never read any of the original R.E.H. Conan stories so I didn't know that Belit was meant to die.
ReplyDeleteColin - I suppose, using a similar pose (Cyclops lifting Phoenix in his arms), X-Men # 136 likewise ruined the surprise of Phoenix's death - an issue in advance, to boot!
ReplyDeletehttps://marvel.fandom.com/wiki/X-Men_Vol_1_136
Phillip
Replace 'ruined' with 'foreshadowed'?
ReplyDeletePhillip
Sean:
ReplyDeleteI remember being very impressed by Alan Moore’s bit about the Over-people in their House Above The World in SAGA OF THE SWAMP THING 24. I have to say that it strikes me as being more than a bit pompous and pretentious nowadays. Also, IIRC, don’t the JLA just basically observe the ecological disaster caused by Woodrue, the various supposedly God-like Over-people occasionally commenting that there’s nothing they can do about the situation, then show up at the end to take the bad guy away after he’s been defeated by Swamp Thing? 40 years ago, it seemed like a brilliant way to build narrative tension: Holy Crap, the villain we thought was kind of a joke is actually so powerful even the almighty JLA can’t stop him — but Swamp Thing can! Today we would call that ‘The Worf Effect’.
b.t.
Well, b.t., you could certainly say the JLA didn't need to be in that issue of Swamp Thing.
ReplyDeleteBut I think Moore used the opportunity of working for DC to try out a then fresh way of looking at their main superheroes, which would at the same time provide a rationale for the existence of a second tier character like Swamp Thing (and possibly help land him a higher profile follow up job with them if the title was cancelled, ST not being a big seller at the time ;)
I would agree that that 'house above the world' stuff reads differently now than it did 40 years ago, in much the same way that, say, some of the Nietzschean sub-text of the original Marvelman run seems heavier handed than it once did.
Largely because that became the standard approach to do doing super-heroes, especially at DC, for quite sometime afterwards. I would say it comes across as maybe a bit corny now, or more banal than it did in 1984, because it's become a cliche.
But, you know - comics drawn by Rich Buckler and Keith Giffen didn't make Jack Kirby's 60s and early 70s work any less great, did it?
-sean
*did they?
ReplyDeleteDuh. Bit of a poor edit there.
b.t. I guess there was a broader question there about the use of narrative 'purple prose' in comics generally. But I'm a bit busy just now - maybe that's something for a Speak Your Brain...?
-sean
I think it was Swamp Thing, Ronan and Teen Titans for me. Was anyone else reading Teen Titans around this time? This was towards the end of the Terra story line (the Judas Contract) which I remember being pretty good (albeit I haven't revisited it since). Kudos to Marv Wolfman for following through, when everyone thought he's redeem the villain.
ReplyDeleteDW
I was also struck by Moore's description of the Justice League in Swamp Thing. They seem a bit scary, these "over-people". But Moore was always interested in the dark side of heroism.
ReplyDeleteAnd that's definitely a thing, the dark side, whether the heroes you're talking about are from Greek myths, Dark Age sagas or medieval romances. Or American westerns. Moore managed to find it in the pre-crisis JLA!
The Super-Friends of all people, who if we met in real life outside of a cartoon would seem kinda scary, at least to me!
Does anybody really wanna be around weirdly dressed characters who could crush 'em like a grape? Not so much me.
M.P.
DW, I read a few issues of New Titan Titans earlier, when it was one of the first comics to suggest there was a bit of a revival happening at DC. It seemed like their answer to the Claremont/Byrne X-Men.
ReplyDeleteBut I wasn't really interested in that kind of comic by '83/'84. Unless Bill Sienkiewicz was drawing it of course :)
#$@& me, can you believe it? I find myself wanting Spurs to win today. And West Ham at this weekend. Its like being caught in some Jim Jaspers style reality warp...
-sean
*at the weekend
ReplyDeleteI actually reread that before posting and still didn't catch it. Duh.
My prediction is Spurs draw with City leaving a very squeaky bum Saturday.
ReplyDeleteDW
New Teen Titans was very much DC’s version of X-men and in some ways, bettered the original. I only really lost interest when they split the title into two. Probably just gave me a convenient jump off point. It has been pretty solid for almost five years by then.
ReplyDeleteDW