Thanks to Charlie Horse 47 and Killdumpster for their sponsorship of this post, via the magic of Patreon.
***
Back then, you may have thought it was February 21st, 1976, but you'd have been mistaken because, according to the Number One song on the UK singles chart, that week, it was, in fact, December '63. And you knew it was true because it was the Four Seasons who were telling you it.
Living atop the summit of the accompanying LP chart was, as it had been the week before, The Very Best of Slim Whitman by - incredibly - Slim Whitman.
That was all shocking enough but there was something else going on that was of even more importance.
And that was the fact that Marvel UK's output was suddenly reduced to just six comics, thanks to the merger of Spider-Man Comics Weekly with The Super-Heroes. Just how would we be affected by such drastic change?
And could we even survive it?
I've always seen it claimed the Titans' landscape presentation was unpopular with readers and newsagents alike and, therefore, failed to take off. But the fact that Spider-Man Comics Weekly's been switched to the same layout, after eighteen weeks of The Titans' existence, would suggest Marvel UK sees the format as having been a major success.
As for the Avengers, they're involved in the latter stages of their battle to keep Cornelius van Lunt off Native American land.
A battle which seems to cause the evil tycoon's death and leads to the retirement of Red Wolf.
But is van Lunt really dead?
And, if he isn't, just what is his deadly secret?
Meanwhile, in a development I doubt anyone expected, Iron Fist finds himself up against Angar the Screamer.
A meeting that could, ultimately, lead him into conflict with Iron Man!
What a beautiful cover by Malcolm McNeill.
It clearly has nothing at all to do with Conquest of the Planet of the Apes but it's a fine-looking thing and would have convinced me to buy the book, even if I wasn't already in the habit of buying it.
Someone's clearly getting very cross with Dracula.
What a beautiful cover by Malcolm McNeill.
It clearly has nothing at all to do with Conquest of the Planet of the Apes but it's a fine-looking thing and would have convinced me to buy the book, even if I wasn't already in the habit of buying it.
Inside this thrilling issue, not only is Caesar becoming ever more in the mood for an uprising, we encounter a Ka-Zar who manages to rescue the super-soldier serum from Gemini.
However, that's where the good news ends, as Professor Victor Conrad drinks the original super-soldier serum and finds himself transformed into the menacing Victorius!
And the Black Panther infiltrates Killmonger's lair but is knocked out by Sombre and dumped in the snow, for wolves to eat!
Someone's clearly getting very cross with Dracula.
And that someone's Quincy.
No, not the TV pathologist played by Jack Klugman, although that's a meeting I'd pay good money to watch.
Instead, it's Quincy Harker hitting Vlad with every anti-vampire trap he's been able to concoct, in an attempt to finally finish off the fangy fiend.
Elsewhere, Jack Russell's still having a tussle with his sister while others try to stop Dr Glitternight.
And, on a far-off world, the Man-Thing must fight Mongu, the space warrior who was, sort of, last seen in the early days of the Hulk's strip.
Following all that, we encounter a 1950s reprint in which a dodgy Indian priest is crushed by his own cart.
But forget that because this is where a whole new era begins.
But forget that because this is where a whole new era begins.
A sideways kind of era!
It's true. Spider-Man Comics Weekly transmogrifies into Super Spider-Man with the Super-Heroes, as the man with the stickiest fingers in comics goes down the Titans format route.
I've always seen it claimed the Titans' landscape presentation was unpopular with readers and newsagents alike and, therefore, failed to take off. But the fact that Spider-Man Comics Weekly's been switched to the same layout, after eighteen weeks of The Titans' existence, would suggest Marvel UK sees the format as having been a major success.
As for what happens in it, Spidey decides to go on the hunt for Morbius the living vampire but this, somehow, leads him into conflict with the X-Men and the discovery that the serum that got rid of his extra arms could kill him!
Very elsewhere, while the ruler of Asgard does the Odin sleep, Loki sneaks in and steals the ring from very his finger. A fact which, it seems, makes him the new king of Asgard!
Meanwhile, Iron Man's still fighting the Gladiator. Seriously, how many issues has he been doing that for?
But, in other places, things are getting far more dramatic - and memorable. This is the issue in which Silver Dagger sneaks up on a meditating Dr Strange and gives him a good back-stabbing.
And I do believe the final tale of the issue sees the Human Torch work with the Hulk in a bid to end the latest rampage of Blastaar!
I suspect there is but only just, as they come up against the dread power of Merlin. Something a surprising number of Marvel heroes have had to do, over the years.
After that, Spidey and Captain America must put a stop to the latest malevolence from the Grey Gargoyle but find themselves, instead, turned to stone and chained to a missile!
Nick Fury and SHIELD are trying to thwart whatever it is that Mentallo and the Fixer are up to.
And Captain Marvel and Rick Jones have decided to recruit the aid of Bruce Banner, in their attempts to escape each other's company.
But, first, they have to survive an encounter with desert-dwelling criminal gang the Rat Pack!
And can we be about to witness the fall of Atlantis?
It seems so - because Attuma and his hordes have only gone and got their hands on a giant space-robot and programmed it to attack the city!
It's a moment of great excitement, for me, because, after an absence of some fourteen weeks, The Mighty World of Marvel! has returned to the shelves of my local newsagent!
And its return makes such an impact on me that its tale of the Hulk and Betty, stranded on an island of giant space monsters, is still burned into my memory.
As for Daredevil, the whole world still thinks Matt Murdock's dead.
It's a moment of great excitement, for me, because, after an absence of some fourteen weeks, The Mighty World of Marvel! has returned to the shelves of my local newsagent!
And its return makes such an impact on me that its tale of the Hulk and Betty, stranded on an island of giant space monsters, is still burned into my memory.
As for Daredevil, the whole world still thinks Matt Murdock's dead.
And he soon may be, as Mr Fear returns to publicly challenge him, torment him and prove to a watching public that Daredevil is a coward!
As for the Fantastic Four, they're now captives of Annihilus who forces them to fight against big machines!
As for the Fantastic Four, they're now captives of Annihilus who forces them to fight against big machines!






That POTA cover is lovely!
ReplyDeleteYeah, that's a great POTA cover by Malcolm McNeill.
ReplyDeletePresumably at the time he painted it he would still have been busy with the ambitious but ill-fated graphic novel 'Ah Pook Is Here' that he worked on with William Burroughs through a fair bit of the 70s.
They got together after McNeill drew a strip written by Burroughs for the underground Cyclops, 'the first English adult comic paper' -
https://en.wikipedia.org/wiki/Cyclops_(magazine)
Unfortunately the publisher that gave the pair an advance to do a book went out of business before it was finished, and they couldn't find anyone else willing to put it out. Eventually in the 21st century Fantagraphics published McNeill's amazing artwork for the project, and his memoir about working with Burroughs.
https://www.tcj.com/reviews/observed-while-falling-bill-burroughs-ah-pook-and-me-the-lost-art-of-ah-pook-is-here-images-from-the-graphic-novel/
-sean
That is a great cover and was, presumably, used as a Terror on the POTA (Jason and Alexander) cover in the US.
ReplyDeleteI remember intending to buy that first Super Spider-Man issues, mainly for the free poster. I don’t remember any of the local newsagents having copies, or the next couple. Was Marvel UK’s distribution that shonkey or were 1970’s newsagents simply unreliable when ordering? As Steve mentions with MWOM, this week, titles regularly go missing for weeks and months at a time, and then mysteriously reappear.
Also, did any stories carry across from The Superheroes? I assume it was just the title carried across, in the hope a few readers may follow.
DW
Only two more POTA painted covers to go (#82 and #93).
ReplyDeleteI'd stopped reading Spider-Man only a few weeks before he went landscape (switching to MWOM instead) and didn't return until the merger with Captain Britain in July '77 so I entirely missed Spidey's 16-month landscape period except for the odd issue now and then.
A pedant writes -
DeleteThree more painted POTA covers to go, Colin, #s 82, 89, and 94.
(Sorry, sometimes I just can't help myself)
-sean
Oooh, Matron! On February 22nd it'll be 100 years since the birth of Kenneth Williams. Stop messin' about!
ReplyDeleteSean, I should have checked the cover gallery on the Hunter's POTA website before writing that comment. D'OH!
ReplyDeleteI rarely recall any of the Dracula Lives covers even though I was getting the comic every week but I definitely remember this week's cover showing Drac surrounded by multiple crosses.
DW, that's a good point - how could the new merged comic be called Super Spider-Man With The Super-Heroes if none of the strips from The Super-Heroes were carried across. A bit of research reveals that the final strip in the new comic originally appeared in Marvel Team-Up #18 when surely the story from Marvel Two-In-One #2 should have been featured as it followed on from MTIO #1 which had been reprinted in the final two issues of The Super-Heroes.
ReplyDeleteBrit Pop??? What is that??? Charlie is well acquainted with the British invasion of the early 60s and the second British invasion of the early 1980s.
ReplyDeleteBut Charlie went down a YouTube rabbit hole last night and discovered there was a third wave called Brit pop in the mid 1990s. And then they referenced oasis And specifically how Britpop groups like oasis found great inspiration in the Beatles.
Charlie only knows a few oasis songs and fails to see any correlation or causality with the Beatles.
Help? Perhaps Charlie needs more exposure?
And, as always, Charlie is ever regretful for introducing a new subject.
Charlie, Britpop was a musical movement in the early to mid 1990s that mostly comprised of young bands heavily drawing on the influence of classic British acts from the 1960s and '70s.
ReplyDeleteOverall, it was noticeably retrograde, seeking ideas in the past, rather than looking for new ones and, in truth, it was a very loose amalgam of bands who often had nothing much in common beyond being British and being on the charts at the same time. It even included Pulp who were coming at music from a totally different direction than the likes of Oasis and Blur.
Oasis were, indeed, very heavily influenced by the Beatles but also by Slade, and their sound was a midway house between those two bands, lacking the versatility of the Beatles and the vigour of Slade.
Thanks STEVE. Me thinks I need to do some youtubing that explains Brit Pop because I just dont hear “Beatles” or “Stones” in Oasis or Blur songs I know.
DeleteAnd FWIW there are so many interviews now on Youtube with the iconic /popular groups or members from the 70s, 80s, etc that are super interesting. 40-50 years on they speak very matter of factly, jokingly, even with heaps of self-depreciation. The rivalries, politics, jealousies have been put aside it seems.
You won’t hear any Stones influences in any Britpop bands, Charlie. It was a very very tediously white scene. The Stones drew on R&B and black music, but Britpop was really vanilla. There were astonishing things going on in Black music at the time but you wouldn’t think so from the media coverage.
DeleteMM - that just seems so odd! Especially given rock ‘n’ roll was generally derived from and by black artists in America, combining the blues with what we would call jazz at that time.
DeleteI did have a good chuckle two years ago, when Paul McCartney stated he always felt that the Rolling Stones were a good blues cover band.
I had an even bigger chuckle Listening to an interview with Mick Jagger a few months later, in French of all things, where the interviewer asked them about that quote. Jagger said he called Paul and asked him if he really said that and Paul said yes. Jagger, ever grateful convivial, just started laughing sincerely, no animosity. I think once you hit 80 you’re almost certain to Say off the wall stuff lol.
The US printing of McNeill’s POTA cover looks remarkably different. The orange rim-light on the gorillas and their horses is almost day-glo and also a bit flatter, more ‘posterized’. It practically leaped off the newsstand forty years ago. He did four more cover paintings for POTA (and one for DEADLY HANDS OF KUNG FU) but I think this one is my favorite. I had never heard about his collaboration with Burroughs — looks pretty interesting!
ReplyDeleteb.t.
b.t., If you're interested, you can see a bit more of McNeill's work from the Burroughs book here -
Deletehttps://burroughsmcneillart.com/artwork.html
-sean
Charlie, this YouTube video looks at similarities between the music of Oasis the Beatles:
ReplyDeletehttps://www.youtube.com/watch?v=sIEsyIPUSUU
Before sean corrects me : McNeill actually painted two DEADLY HANDS OF KUNG FU covers :)
ReplyDeleteb.t.
STEVE - thanks much amigo! That is a most insightful youtube vido comparing Oasis and Beatles. Truly! Made my day!
ReplyDeleteAfter watching, I can see where Oasis mimics various unique melodies, sounds, or beats to a given Beatles' song, I am just not intellectually capable to say that I hear a Beatles "influence." I guess if someone were to ask me to describe Beatles music... well I would not know how to! "It is what it is."
And as an aside I have been re-reading the Lennon-Ono interviews with Playboy magazine this week, which they did a month before he was gunned down in cold blood (as are 15,000 - 20,000 other americans every year). One can get the paperback off ebay for a few bucks. (The Playboy Mag is around 10- $20 but the interview is spread over 2 issues and also abridged a bit in the mag.)
We lost Johnny too soon. The man and wife were so ridiculously optimistic in 1980, and so thankful to have survived the 1970s and still be together, and so joyful to be making music again... such a pity.
CH
Downing Street invitations, to meet Tony Blair, were the final nail in Britpop's coffin (or was that 'Cool Britannia' ? ) Being cool/anti-establishment, whilst glad-handing Cheshire-cat Blair, weren't compatible!
ReplyDeletePhillip
30 years later, I really don’t see what prevents another Britpop fad.
ReplyDeleteThere’s a solid 10 years of pop music from the 60s and 70s waiting to be sampled!
And based on TV commercials and movies and what not there seems to be no shortage of people interested in hearing those old songs being replayed over and over and over and over and over and over and over…
By an odd coincidence I heard Wonderwall by Oasis in Tesco just a few days ago.
ReplyDeleteI also heard Blondie's Sunday Girl.
George Harrison said Oasis were crap by the way and he was right.
COLIN - ive heard Bowie “Heroes” like once a week the past few months on the radio, health club, grocery!
ReplyDeleteDW - May the force be with you this weekend! This Yank would love to see Tottenham get relegated just so talkSPORT stops talking about them!
ReplyDeleteTomorrow BBC Radio 4-Extra is devoting the entire day's programmes to the Kenneth Williams centenary.
ReplyDeleteInfamy! Infamy! They've all got it in for me!
Also tomorrow I'll be exactly the same age as Harold Wilson on the day he announced his resignation (March 16th 1976).
ReplyDeleteCharlie, I fear this year will go to the final game. Squeaky bum time at the top and bottom.
ReplyDeleteDW