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Thursday, 4 April 2024

April 6th 1974 - Marvel UK, 50 years ago this week.

Thanks to Charlie Horse 47 and Killdumpster for their sponsorship of this post, via the magic of Patreon
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What happened on the 6th of April, 1974?

Napoleon only went and surrendered, that's all!

Granted, he did it in song. But, as we all know, surrendering in song is the best way to do it.

You have, no doubt, already guessed that that night saw Swedish pop sensations ABBA win the 1974 Eurovision Song Contest with their bouncy - possibly Wizzard influenced - track Waterloo. An achievement that would propel them to global superstardom.

And they did it in Brighton, England.

Before you feel sorry for Napoleon, remember that he may have surrendered but at least he wasn't finding it hard to die.

Terry Jacks was. 
 
It's true. This was the very week in which his single Seasons in the Sun climbed to the summit of the British Hit Parade and spawned a parody in every schoolyard in Britain.

On the accompanying album chart, there was no change at the top, as the Carpenters' compilation The Singles 1969-1973 retained its Number One crown.

And things weren't only happening in the world of music. It was, it turns out, the week in which Stephen King's first novel Carrie hit our shops.

In the world of politics, Britain's Local Government Act 1972 came into force, creating such new counties as South Yorkshire, West Yorkshire, North Yorkshire, and the West Midlands, amongst many others, creating a situation in which the historic counties and the new counties somehow simultaneously existed.

The Avengers #29, Shang-Chi master of Kung Fu

It's a thrilling moment for me because, having missed last week's issue, this was my first encounter with Shang-Chi.

And what an encounter it is, as, having murdered an innocent man, our master of the martial arts goes looking for Fu Manchu to have it out with him.

That leads to a confrontation with a giant gorilla, and a sumo wrestler called Tak, before the villain of the piece finally puts in an appearance.

If I didn't love Jim Starlin's work before this issue, I certainly did after it and remember copying that cover image of Shang-Chi, with my trusty pencil and sketchpad. Whisper it quietly but it's where I first learnt how to draw toes.

Elsewhere, I think the Avengers are still in that hidden city in the Andes and still making a meal and a half of thwarting whatever its inhabitants are up to. I seem to recall a big flame and metal tentacles being involved.

To finish off this issue, Dormammu consigns Mordo to the Dimension of Demons and is then defeated in combat by Dr Strange. In a sulk, the villain banishes Clea to a place where Strange can never find her, and the sorcerer returns home to an inconvenient bomb planted by Mordo's lackeys. 

Spider-Man Comics Weekly #60, the Kingpin

Our hero's spider-sense, clearly on the blink on that cover.

Inside, the anthropoid arachnid's still dealing with the problem of George Stacy's brainwashing and the Kingpin's plan to do whatever it is he's up to.

Not to mention Gwen's disapprobation of Peter Parker for his role in getting her father's crime exposed to the world.

In Iron Man's latest epic, we get to meet two brand new characters, as Happy Hogan and Pepper Potts each make their debut.

In retrospect, it does seem surprising it took this long for any supporting characters to appear in the strip.

However, the Grand Comics Database informs us that Pepper is bafflingly renamed Kitty, at one point in this tale. 

In between all this, our ferrous-themed fiend-fighter has to deal with the icy menace of the man they call Jack Frost.

As the cover declares, this week, Thor is up against the power of Pluto which does give me visions of him fighting Mickey Mouse's dog.

But, no, it's an even deadlier Pluto - and one who's not even a planet. It's a confrontation caused by Thor's quest to liberate Hercules from the Hades-binding contract the Olympian oaf  has been daft enough to sign without reading, in what seems to be a satire upon the workings of Hollywood.

And we finish off with a three-page tale titled The Fatal Words! in which a man tries talking to his dog and his cat.

The Mighty World of Marvel #79, Hulk vs the Thing

Now, there's a cover that could make the tightest of tightwads part with every penny he has in the world.

Unhappy with his current career as a hounded fugitive and feared monster, Bruce Banner takes a quiet five minutes to conceive a formula that could cure him of being the Hulk but, to make it work, he's going to need the help of the smartest man in New York.

And that leads him to the Baxter Building and a clash with none other than the Fantastic Four.

But will they cure him or kill him?

More to the point, will he kill them?

Daredevil, meanwhile, is, as so often, of late, caught up in the Organization's attempt to pervert the election of a new District Attorney for the Big Apple.

49 comments:

  1. That first Master of Kung Fu story was one of the best ‘Origin Issues’ of all time, IMO. Story and art mesh wonderfully. It’s practically flawless.

    I guess I’m not that familiar with Whizzard’s oeuvre — I never detected any influence of their sound on ABBA’s ‘Waterloo’. Clearly, further study is required…

    b.t.

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  2. I'm afraid that your are incorrect about Napoleon's surrender being all that happened on April 6th 1974, Steve.
    There was also the California Jam, the one day festival where you could - had you been so inclined - have seen Black Sabbath, Deep Purple, the Eagles, and Emerson Lake & Palmer. Jayzis, what was wrong with people back then? That sounds even worse than sitting through Eurovision in Brighton.

    Fortunately though, there was some hope for the future, as the week also saw a major change in western culture with the release of 'Meet the Residents', the first album by North Louisiana's phenomenal pop combo (although in fact at this point they actually resided - perhaps inevitably - in San Francisco).

    www.youtube.com/watch?v=vsGRasyHEEg

    Btw, I notice that only a couple of weeks into his run, Shang Chi has already replaced the Avengers in the corner box of their own comic.
    Presumably Kung Fu was on British tv - you know, with David Carradine - and proving popular with the kids?

    -sean

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  3. Phillip, theres clearly a glam influence on Waterloo. I wouldn't have immediately thought of Wizzard either, but in fairness to our host the sound is closer to them than, say, Marc Bolan or Roxy Music.
    I guess its the Nordic schlager element of the Abba mix that makes it sound different?

    Btw, Steve, congratulations on mastering the drawing of toes. Feet are the hardest part of the figure to really get right imo, especially bare ones.

    -sean

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  4. * Oops, that should have been b.t., not Phillip.

    How embarrassing. Duh. Apologies, b.t, especially as it's not the first time I've done that to you.
    And to Phillip too.

    -sean

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  5. BTW, I just now realized I’ve been misspelling the name of Roy Wood’s band — I think I’ve been conflating it with an old comics fanzine called WHIZZARD.

    Sean — I missed the first California Jam in ‘74 and California Jam II in ‘78, but I did spend an incredibly long, generally uncomfortable day at the similar California World Music Festival in ‘79. The lineup included REO Speedwagon, The Outlaws, Mahogany Rush, nerdy New Wavers The Fabulous Poodles, Toto, Cheap Trick and Ted Nugent. Two distinct memories: The crowd HATED The Fabulous Poodles (I thought they were great) and The Outlaws’ ‘Green Grass and High Tides’ seemed to last for freaking EVER. The rest is a blur.

    b.t.

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  6. The BBC is going ABBA crazy this weekend with documentaries on BBC2 and Radio 4.

    Steve, you mentioned ABBA and Terry Jacks in the same breath which reminded me that the final #1 of the 1990s was the double A-side I HAVE A DREAM/SEASONS IN THE SUN by the Irish boy-band Westlife.

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  7. Waterloo was described as "glam rock" on Radio 4's arts show Front Row on Wednesday.

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  8. Sadly, I can’t recall any of the lyrics to our own schoolyard parodies of SEASONS IN THE SUN…

    b.t.

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  9. Colin-
    I would describe it as glam rock. It's weird, but I like glam rock, even though I came rather late to the party.
    Maybe it's that "wall of sound", I dunno how to describe it.
    And it's upbeat!

    M.P.

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  10. MP, the phrase "wall of sound" also got mentioned in the Waterloo discussion on the BBC's Front Row programme.

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  11. Front Row also revealed that Waterloo was totally snubbed by the UK jury at Eurovision '74 and received no points at all. Only a few weeks later Waterloo reached #1 on the UK singles chart!

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  12. I've just discovered that Mike's Amazing World Of Comics now includes Marvel UK comics in its' Newsstand section!

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  13. It’s funny, I never would have thought of categorizing ABBA as a ‘glam rock’ group — I barely think of them being a ‘rock’ group at all. I think of their music as being very ‘pop’, upbeat, radio-friendly, etc. But come to think of it, that rich, layered, kinda ‘over-produced’ sound isn’t a million miles away from The Sweet or Queen. Then there are those crashing guitar chords in the chorus of ‘S.O.S.’…and of course, the soaring overdubbed harmonies….the flash costuming….hmmm…

    Okay, I’m sold!

    b.t.

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  14. In an article at The Guardian about the ‘74 Eurovision, this quote jumped out at me : ‘Waterloo shows the distinct influence of glam, specifically Roy Wood’s Wizzard.’ But then there’s this quote from Bjorn Ulvaeus at Wikipedia: ‘We were trying to be more like The Sweet, a semi-glam rock group, which was stupid, because we were always a pop group.’

    I shouldn’t get so hung up on categories and labels….

    b.t.

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  15. In general I wouldn't categorise Abba as Glam Rock band either, but some off their early songs like Waterloo were pretty glam. I certainly get the Wizzard influence on this . Surprisingly the UK and a few other countries gave Abba really low points and even nil points

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  16. Just now listened to ‘See My Baby Jive’ on the YouTube — and I can certainly see how it influenced ‘Waterloo’. In my defense, despite the song being a #1 smash in the UK, it didn’t chart at all here in the States and Roy Wood and Wizzard are far less well known here than Jeff Lynne and ELO.

    One of my old girlfriends was a Roy Wood fan but even at her urging (and my wanting to score points with her), I never really got into his stuff.

    b.t.

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  17. Music, Music, Music...

    Charlie grew up in a time when the record stores just had "rock" and
    "R & B" which was code for "white / black musicians."

    Glam / Spam / Pop / Bop... what's in a word?


    Charts, charts, charts...

    I'm looking at 50 years ago in the USA on Billboard

    https://www.billboard.com/charts/hot-100/1974-04-06/

    Talk about diversity of music! Wow!

    #1 is still Blue Suede's "Hooked on Feeling."
    #2 is Benny and the Jets
    #3 is JOHN DENVER's "SUNSHINE ON MY SHOULDERS."
    #4 is Terry Jack's "Season's in the Sun."
    #5 is "The LORD'S PRAYER." by Sister Janet Mead who passed last year.

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  18. What's strike's Charlie is THE LORD'S PRAYER at #5 and trending upward in the usa.

    Seems consistent with the contemporaneous success of JC Superstar and Godspell and Easter Time.

    But... I never heard of this single before which one would have thunk the Catholic Churches would have used in their services somehow?

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  19. Charlie always found Seasons in the Son to be a dreary song. Now he know why via an article celebrating its 50th anniversary. I

    It was written by the immortal Belge / French performer Jaque Brel in a brothel in Tangiers.

    "The original tune was about a dying man who is bidding farewell to his loved ones, including his best friend, his father, and his wife. During the song, we learn that his wife had cheated on the man many times, including with his friend, but he forgives her in the end.

    Jacks wasn’t comfortable with that part of the song, so he wound up rewriting some of the lyrics..."

    https://americansongwriter.com/the-story-behind-terry-jacks-seasons-in-the-sun-which-topped-the-charts-50-years-ago/#:~:text=Jacks%20eventually%20decided%20to%20record,his%20father%2C%20and%20his%20wife.

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  20. Charlie - That's something I never knew! The only Jacques Brel song I know (apart from 'Seasons in the Sun'), is 'Les Bourgeois' (courtesy of Scott Edelman's blog, ages back). It's rather good:

    https://www.youtube.com/watch?v=gDsv7Xd1yAo

    Phillip

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  21. Charlie:
    Well, downbeat, mopey songs were pretty popular back then — Edward Bear’s ‘The Last Song’, Albert Hammond’s ‘It Never Rains in California’, etc. But yeah, I never cared much for ‘Seasons in the Sun’. Knowing its depressing ‘origin story’ makes me like it even less.

    b.t.

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  22. b.t. - This is the Edward Bear I remember from the mid-70s!

    https://www.youtube.com/watch?v=9l42MaXNiRE&t=20s

    Phillip

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  23. Charlie, The Lord's Prayer was also a big hit for Cliff Richard in the UK in 1999. He sang it to the tune of Auld Lang Syne and called it The Millennium Prayer which spent three weeks at #1 in December 1999 and was the best-selling single of 1999 in the UK!

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  24. I knew about Jacques Brel writing Le Moribond (the original French name for Seasons In The Sun) and I've heard it on YouTube - the original tune sounds rather different to the Terry Jacks version.

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  25. Not that anyone asked, but my favourite Brel song is 'My Death', which - unless you count 'Seasons in the Sun' - is probably the best known among Anglophones these days, having been covered variously by Scott Walker, David Bowie, and Marc Almond.
    The Scott version is obviously the best -

    www.youtube.com/watch?v=OfvFa8KexRw

    b.t., I read that piece about 'Waterloo' and Eurovision in the Guardian earlier today. I'd completely forgotten that was the year the Brits got Olivia Newton-John in as a ringer. What a terrible song that was. I take it back about the California Jam probably being worse.

    The best thing in the article was the link to an earlier hit by the German act. 'Der Hund von Baskerville' by Cindy und Bert had a slightly familiar sound, while simultaneously being completely strange...

    www.youtube.com/watch?v=MwnFX0_H-rA

    -sean

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  26. Steve, I looked up the history of South Yorkshire on the wiki. Apparently it was officially established as a county on the first day of this month in 1974.

    So that means... April 1st is South Yorkshire's birthday!

    -sean

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  27. I've sorta been discovering Roxy Music the last couple of years, after hearing one of their songs used in a movie. "In Every Dream Home a Heartache."
    I dunno if they were glam or not, but I'm rather amazed by them.
    For the sheer weirdness if nothing else. But I find some of it quite beautiful.
    It's not something a little kid growing up on a farm in Iowa in the early '70's was likely to hear, I can tell you that.
    As far as glam goes, I basically remember the Bay City Rollers (if that counts) and Sweet, whom I liked.

    M.P.

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  28. Ah well, 'In Every Dream Home...' was recorded when Brian Eno was still in the group, M.P.
    They weren't big enough to contain more than one Brian for long though (I believe they fought over which one got to use the band's 'y' and call himself Bryan).

    -sean

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  29. What was Eno's deal, anyway, Sean? Was he some kinda Svengali?
    A diabolical mastermind? I know he produced Devo's first album, back when they still had a garage-punk edge.

    M.P.

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  30. M.P. - Just before Sean answers your point, when I read 'Moondust' (a book about the Apollo program), ages back, it said that Brian Eno did the music for the original 'For All Mankind' documentary. Plus, looking it up, Eno's done several albums of space music. (I'm including this, M.P., knowing your tastes also extend to cosmic/spacey-type things.)

    Phillip

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  31. Thanks, Phil. I fell in love with outer space and everything that's in it as a little kid.
    But although M.P. might be a cosmic cat, he's definitely not a math cat, and that's why I'm not an astrophysicist.

    ...still, to look at the moon just hanging there, this giant rock, I feel a sense of wonder...

    M.P.

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  32. 'Apollo Atmospheres and Soundtracks', Phillip -

    www.youtube.com/watch?v=WTxkLGBkcO0

    M.P., besides making his own records, Brian Eno collaborated on quite a few other peoples', some of which from that late 70s/early 80s period turned out to be quite influential - besides Devo, 'Low' and 'Heroes' with David Bowie, Talking Heads' 'Remain in Light', 'My Life in the Bush of Ghosts' with David Byrne, and he produced a couple of albums for, er... U2 (hey, no-one's perfect - you gotta eat, right?)

    -sean

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  33. M.P. - Quite so. Sometimes I think a poet should have accompanied the Apollo astronauts, to record the Moon in human terms, as well as scientific ones.

    Sean - That's a nice little film. Seemingly, Brian Eno's back-catalogue of unreleased tunes (5,000+) must be even larger than Prince's!

    Phillip

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  34. Phillip, the great thing about the Apollo soundtrack was using the pedal steel guitar, because apparently the astronauts took some cassettes of country music with them to the moon. Which seems like a very Eno touch, rather than just doing obviously 'spacey music'.

    In 1969 the BBC got Pink Floyd to improvise a soundtrack during the moon landing, and they just did their standard late 60s 'far out' thing that doesn't sound different to any of their other live recordings of the era.

    www.youtube.com/watch?v=i2HHT7txFQ0

    You'd think the Beeb would've used the Radiophonic Workshop, who surely would have done something a bit more interesting.

    -sean

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  35. Brian Eno also produced Peter Gabriel’s second solo album. After Bob Ezrin’s typically grandiose production on Gabriel’s first, Eno’s spare, eerie arrangements on the second came as something of a shock at the time, but I love both of those albums equally. Eno’s ‘Prophecy Theme’ from the soundtrack of David Lynch’s DUNE is hauntingly beautiful.

    b.t.

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  36. Any reason I hear the name Brian Eno and think of Ebn Ozn?

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  37. MP, et al.

    Charlie and the missus went to the Chicago Planetarium last week (stay-cation).

    The big draw is a variety of 45 minute experience in the actual Planetarium where one sit and gazes upwards at recordings of the stars.

    There are various shows like "Chicago's Night Sky" but the biggest draw is simply never ending footage of the galaxies synched to the entire Pink Floyd "Dark Side of the Moon!"

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  38. BREL was quite the singer.

    Barely known now in the USA, mostly only by Francophiles and folks my parents age (nearly 90 years old now).

    Charlie's fav is "Ne me quitte pas" from 1959. Remade by numerous artists including Streisand (all on youtube).

    One has to wonder if the inspiration for "Ne me quitte pas" (Don't leave me) in which he actually is pleading for his actual mistress not to break off their relationship serves as the emotional basis for "Seasons in the Sun.'

    Anyone who begs "please just let me be the shadow of your dog" is hurting inside.

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  39. (Spoiler warning for DW)

    Watching the Wolves - Westham game here in the USA.

    Quite exciting. The ref giveth and the ref taketh, aye?

    Anyhow in the USA they have a female broadcaster.

    Hearing her scream in the 98th minute, when Wolves tie it up 2-2, "Deep! He's deep, deep, deep... He's so deep! " at the top of her lungs.

    Well... heh, heh... Charlies inner child started day dreaming, lol.

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  40. Jeez, I think I saw a Pink Floyd “Dark Side of the Moon” planetarium show at the Griffith Park Observatory back in the late 70s — I almost can’t believe it’s still a thing. Do people still go to Midnight screenings of ROCKY HORROR PICTURE SHOW and throw stuff at the screen too?

    b.t.

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  41. b.t. - I think Rocky Horror is still around, so I've heard, not witnessed.

    I haven't been since... 1978?

    Sort of tempted to go again but there's just too many weird weirdos out there now. 45 years ago one could anticipate what "weird" was. Nowadays who the hell knows what folks will be throwing at the screen.

    Is it really a hot dog?

    Is it really the elastic glove going snap?

    Did you go in your youth too?

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  42. Charlie:
    I went to an audience-participation ROCKY HORROR midnight screening in Hollywood with a group of friends from college. It was a fun group activity….ONCE. I never had the urge to repeat the experience.

    b.t.

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  43. Charlie did ROCKY HORROR twice when he was around 17.

    First time was an experience. We were mostly on the receiving end.

    Second time, based on our experience, we were "loaded for bear" and it was mayhem!

    Third time was on TV a few years ago, caught it channel flipping.

    Tomorrow Charlie and the Missus are going to see AIDA by Verdi at the Chicago Lyric Opera. Glad to see Charlie's tastes have evolved. Can't humm "Let's Do the Time Warp Again" forever, you know. :)

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  44. Hey Steve, will there be a Marvel Lucky Bag for April 74? I’m kinda looking forward to making Sean’s head explode by praising Don McGregor’s Morbius story in VAMPIRE TALES 4 :)

    b.t.

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  45. Charlie

    Ironically I’m currently about 30 miles from the Olympic stadium (London) and my VPN let me down meaning I couldn’t watch the game live via my Aussie Optus sub. To rub salt in the wound, the BBC still registers my ISP (phone) as Australian and so no Match of the Day.

    First world problems I know, but…

    DW

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  46. Is that Morbius story the one with the lighthouse, b.t.?
    Sounds like maybe I better make sure something's holding my head in place tomorrow evening, when I read the next post.

    If Charlie went to a 'Dark Side of the Moon' thing at a planetarium recently, maybe that was part of some revival thing, with the recent 50th anniversary? Just like there's been quite a few reissues and whatnot in the last year or so.
    Although it wouldn't be surprising if it has been used pretty constantly since 1973.

    What I don't understand is why planetariums don't regularly use Hawkwind's 'Space Ritual'...

    -sean

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  47. Sean — yes, that’s the one.

    b.t.

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  48. I’ve just listened to the Beach Boys’ version of ‘Seasons on the Sun’, with the original Brel / McKuen lyrics. That one verse about forgiving his wife for repeatedly cheating on him with his best friend — I know it’s probably not meant to be funny but to me, the timing and structure make it feel like a joke, with the last bit about the friend being the ‘punchline’. Terry Jacks probably made the right call by changing that verse, i don’t know if the song would have been a worldwide smash hit otherwise. But hey, what do I know — even with the watered-down final verse, I’m still surprised it was such a popular song.

    b.t.

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