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Tuesday, 12 November 2024

The Marvel Lucky Bag - November 1984.

Thanks to Charlie Horse 47 and Killdumpster for their sponsorship of this post, via the magic of Patreon
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Hither, let us enter the cinemas of November 1984 and discover just what we can find inside them.

As we blunder along the corridors, amongst our findings are such well-known flicks as The Killing Fields, A Nightmare on Elm Street, Night of the Comet, Supergirl and, erm, Caravan of Courage: An Ewok Adventure.

I will bravely speak out and declare Night of the Comet to be my favourite of those films and I don't care if it was The Killing Fields that won all the awards.

The Avengers Annual #13

The Avengers get their 13th annual but will it be unlucky for some? 

Sadly, I can't say, as I don't think I've ever read this tale, even though that cover looks highly familiar to me.

Anyway, it all seems to involve Hulk-Related shenanigans caused by the Fixer and Arnim Zola.

I can't shake off the feeling I've covered this comic before, somewhere, even though I can't work out just when and where that would have happened.

Kitty Pryde and Wolverine #1

It's what we've all been praying for, when Kitty Pryde and Wolverine get a whole new book dedicated to them and them alone.

As far as I'm aware, Kitty goes to Japan to rescue her father from someone or other  - only to discover he's mixed up in dodgy doings with Japanese criminals!

I get a feeling this may prompt Wolvie to get involved.

Marvel Super-Heroes Secret Wars #7

Marvel's biggest project yet hits its seventh instalment, and does so by introducing us to the new Spider-Woman.

Meanwhile, the Wrecker and his allies show up and throw the body of the dead Wasp at our heroes.

And Dr Doom is sneaking around in Galactus' ship while She-Hulk is sneaking around in Dr Doom's base.

Rom Annual #3

It's Annual Number Three for Rom who celebrates the occasion by saving a children's daycare centre from young Dire Wraiths.

Meanwhile, one of the Dire Wraiths is planning on marrying someone called Brandy who seems to be the woman on the left, on that cover.

The Spectacular Spider-Man Annual #4

Aunt May's criminal past catches up with her when she starts to receive love letters from an old flame.

And that's not all because that tale's followed by an adventure in which the Black Cat goes to great lengths to retrieve a wine carafe Spider-Man gave to her.

I know. Dramatic stuff indeed.

Starriors #1

A brand new comic appears - and, almost inevitably, the cover's by Bill Sienkiewicz.

Other than that this strip stars someone called the Starriors, I know nothing of it but, apparently, it features characters called Hotshot, Crank, Cut-Up, Runabout, Nipper, Tinker, Thinktank and Motormouth.

From those names - and from that cover - I'm going to assume they're all robots.

And that they're from outer space.

The Muppets Take Manhattan #1

My vast intellect tells me this may be an adaptation of the film of the same name.

If so, that can only mean our favourite puppets arrive in New York City, hoping to get their college show performed on Broadway.

They soon, however, discover the Big Apple is no paradise and, by the tale's end, they are all lying dead in a pool of their own blood.

Void Indigo #1

The Epic imprint presents us with a brand new experience in life when something or other happens.

I don't know what it is but I know it's brought to us by Steve Gerber and Val Mayerik.

This gives me some grounds for some optimism.

The New Mutants #21

It's a double-sized issue.

And that can only mean we're getting double-sized entertainment.

The New Mutant girls are certainly hoping so. They are, after all, hosting a slumber party with their friends from Salem Centre. And I can tell you there's nothing I'd rather see in a super-hero comic than slumber parties.

Meanwhile, Warlock destroys Asteroid M, causing a series of events which lead to him being invited to join Professor X's school.

Machine Man #2

I must confess to not having the slightest idea what happens in this one.

But Tom DeFalco, Herb Trimpe and Barry Smith are still on board.

The Incredible Hulk Annual #13

Like the Avengers, the Hulk's also landed himself a thirteenth annual.

My knowledge of this one is slight but I do know our hero's on an alien world where he meets and befriends a strange symbiotic being.

And that the Puffball Collective is involved.

17 comments:

  1. Well, the New Mutants is the one I remember. Indeed, the only one I had at the time. I still like it. It was quite nice and relaxed.

    Those other BS covers are nice. Marvel, how about a BS Marvel Universe Omnibus, please? Like the Frank Miller one you did?

    Someone bought me the Machine Man mini-series recently but the issues are on the verge of disintegrating, and the artwork looks so blurred and smeary that I couldn't make much sense of it.

    Wasn't Void Indigo hugely controversial? Did anyone get caught up in that back then?

    Of those films I only saw the dreadful Supergirl at the time. I liked Maureen Teefy in it. That's about it.

    I didn't see Nightmare On Elm Street until 1986, and it creeped me right out then, as a teenager. As a jaded adult, less so.

    I didn't realise George Lucas put the Ewok Movie into production so soon after Return Of The Jedi - jeez. You'd have thought after the massive personal and professional burn-out of that film you'd want nothing to do with Ewok's for quite a while.

    But money, I guess.

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    1. I actually corrected the misplaced apostrophe in 'Ewoks', but Google uncorrected it back I guess. MM

      Delete
  2. As I mentioned the other day, I had that AVENGERS ANNUAL, and I remember thinking the Ditko/Byrne art wasn’t bad. Incredibly, their respective styles didn’t cancel each other out. Just don’t ask me what the story was about, those gray cells are long gone. God knows why, but I think I may have had that KITTY PRIDE AND WOLVERINE #1 too.

    Steve, I suspect that final paragraph in your MUPPETS TAKE MANHATTAN recap is there just to see if anyone actually read it ;D

    b.t.

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  3. F@#*ing spellcheck, Matthew. Its always changing stuff back, even after you correct it.

    Steve, your optimism about Void Indigo is understandable, but misplaced. I was never that keen on Val Mayerik's artwork, but you'd think in the (then) new direct market conditions, with ownership, more control over his work, and no Comics Code to worry about, at least Steve Gerber would have done something interesting, right? Wrong. Both of them disappoint. Bigly.

    Void Indigo #1 is actually the continuation of a story which began in Marvel Graphic Novel #11 also by Gerber and Mayerik and called - coincidentally enough - Void Indigo. I'm not sure how Mike's World of Comics works out cover dates for the Graphic Novels (as they don't seem to have a cover date) but it lists the book for this month too.

    Anyway, fom what I can remember its about four evil wizards and a barbarian king from the Hyborian Ag... er, distant past absorbed into some sort of universal singularity - the Void Indigo - to be reincarnated to pay off their karmic debts. Or something.
    Our hero, the barbarian has become an alien space warlord and goes to Earth to find and sort out the wizards, meets some local tart in the mid-west - literally, in her first scene she's trying to get money out of some redneck for sleeping with him (thats the kind of 'mature' comic it is) - and they head off to LA.

    The comic didn't last long. As Matthew mentioned, it fell foul of distributors due to 'controversial content' - eg the first issue opens with a transexual man killing a lack drag queen for no obvious story related reason I can recall - and was cancelled with #2.
    There didn't seem to be that much of a fuss made at the time. Probably because Void Indigo not a good comic. Being against censorship is all very well, but you have to pick your battles - who wants to go to the barricades to defend the right to put out complete rubbish? Not Marvel. And not even Steve Gerber, who didn't seem to complain.

    -sean

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    1. *probably because Void Indigo WAS not a good comic
      Duh. Apologies for a poor edit there.

      Delete
  4. I liked NIGHT OF THE COMET back in the day but don’t remember much of it now. Supposedly the sight of Kelli Maroney in a cheerleader outfit shooting zombies inspired Joss Whedon to create Buffy the Vampire Slayer.

    I thought NIGHTMARE ON ELM STREET was just okay and was honestly kinda surprised that it was so hugely successful that it spawned all those sequels and made Freddy Krueger a household name. I re-watched it a few months ago and my opinion hasn’t changed much. I thought it was no worse than I remembered but also not any better.

    Matthew, I think George Lucas was just determined to make people love those damn Ewoks, one way or another.

    And I do remember there was some controversy about VOID INDIGO but don’t recall what all the fuss was about. I never did read it. That cover is f***ing terrible though!

    b.t.

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  5. Was “nightmare on Elm Street “the film that promoted itself by saying “if you are not scared you must already be dead “?

    If so, Charlie saw it and thought it was pretty lame.
    CH

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  6. b.t Void Indigo was controversial due to its extreme violence . I seem to recall it was a 6 issue mini series and was cancelled after only a few issues.

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    1. I've noticed your blog is active again, Paul. So hopefully all's reasonably well with you now...?

      -sean

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    2. IHi Sean I'm feeling a lot better now thanks .Hopefully thats me on the road to recovery.

      Delete
  7. Hiya Steve and all! This day's post has me wondering someting: why did I buy "Kitty Pryde and Wolverine" when I'd already stopped buying X-Men at that point? May be up late tonight trying to figure this one out.
    On a more certain note, "The Killing Fields" was quite good. One of those films that leave you thinking perhaps too deeply after seeing it. And of course it has a remarkable soundtrack courtesy of Mike Oldfield; it was quite a departure from what I'd heard from him. The music was so impactful that I bought the soundtrack lp; one of the last vinyl records I picked prior to jumping over to cds...

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  8. I think a few of us bought the first issue of Kitty & Wolverine thinking it may be along the lines of the Frank Miller mini series. It turned out more a cynical cash grab.

    I re-browsed this month’s New Mutants and it’s certainly well illustrated (I recognized a young Diana Schutz amongst the visitors). I guess Kitty Pryde was a popular enough character and young reader version of the X-men, broadly replicating her characteristics, would have an audience. But I still cant understand who thought Billy’s art would appeal to any reader interested in the teen angst storylines.

    DW

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    1. I assumed that the idea behind putting Sienkiewicz on New Mutants was to interest the wider readership in the series, who weren't into teen angst storylines, DW. You know, who maybe thought the comic was for kids. It worked on me!

      Tbh I never really understood the idea of putting kid characters into comics in order to appeal to kids. Like, even as a little scrote I didn't read Batman because of Robin - who was actually irritating - and I was never interested in Rick #@*€ing Jones.

      Was Kitty Pryde a popular character back then? I always found her to be the most annoying X-person (not counting Banshee, obviously).
      My theory is that Marvel planned to do solo mini-series for all the X-Men, but then realized no-one was going to buy a Kitty Pryde one - well, apart from maybe you, b.t., and Redartz by the sound of it - so they added Wolverine. He did seem to be turning into a licence to print money for Marvel in the mid-80s.

      -sean

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  9. sean:
    I only THINK I may have bought KITTY AND WOLVERINE 1 — I have zero memory of the story or the interior art. But the cover looks VERY familiar. As in, I probably flipped past it in a long box several times over the years while hunting for some other comic. I’m thinking I didn’t buy any of the following issues — from checking out the covers of 2 thru 6 at the GCD, they ring no bells whatsoever!

    Honestly, I’ve never been a big Wolverine fan either, so I seriously don’t have a clue why I would have bought KITTY / WOLVERINE 1.

    b.t.

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  10. Sean -

    Kitty Pryde and the New Mutants weren’t kids though: they were teenagers. And they had all the sexual longings of teenagers out in the real world.

    There was that weird scene in X-Men where underage Kitty wants to sleep with Colossus, arguing ‘why not? We’re not on Earth, so there’s no rules’ and he has to talk her down with a lecture on morality.

    As a 13-year old in 1984 I wanted to f*** all the female New Mutants. It wasn’t the reason I bought the book, but it was an unpleasant and unavoidable side-effect of being 13. And I think Claremont and Marvel kind of knew that.

    So I’d imagine Kitty was a popular character at least partly for that reason. And the combination of Wolverine-style Japan-criminal-underbelly storylines + Kitty Pryde wandering around being perky would have seemed like a sure-fire winner to Marvel.

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    1. Matthew, kids, teens... same difference. I mean, I take your point about teenagers and raging hormones, but even so at that age reading the X-Men I was more, er... interested - yeah, let's go with interested - in Storm, or even Jean Grey, than Kitty Pryde.
      Pretty sure Marvel knew how that worked, going by the sort of female costume designs they went for in the late 70s (eg the redesign of Ms Marvel, in black).

      -sean

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  11. For gits and shiggles, some capsule synopses from the GCD:

    #2: Kitty is captured by Ogun and becomes a ninja.

    #3: Kitty fights Wolverine.

    #5: Kitty goes against Ogun and takes the name Shadowcat.

    #6: Wolverine and Kitty face off against Ogun and Kitty has to decide whether she is going to kill him or not.

    God help me, I kinda want to read this series now!

    b.t.

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