Thanks to Charlie Horse 47 and Killdumpster for their sponsorship of this post, via the magic of Patreon.
***
Everybody loves a good old cockney knees-up.
Therefore, the world must have been delighted in February 1985 when the BBC finally launched a chuckle-packed answer to ITV's Coronation Street, with the debut of its South Eastern counterpart Eastenders.
Meanwhile, further north, around 4,000 striking coal miners returned to work, meaning that only just over half the nation's colliers were now still on strike.
Further afield, it was a month which saw the border between Gibraltar and Spain reopen for the first time since General Franco closed it in 1969.
And what of the charts? Just what were we singing while all that was going on?
We were singing I Know Him So Well by Elaine Paige and Barbara Dickson because that record spent the whole of February atop the UK singles chart. As we all know so well, that was written by the two blokes from ABBA along with Tim Rice from Andrew Lloyd Webber and was from that trio's musical Chess.
This issue also serves up an interview in which Superman producer Ilya Salkind talks about his latest project Santa Claus.
Plus, there are insights into the making of The Last Starfighter and Arnie's current offering The Terminator.
There's also a look back at the Tom Baker era serial Revenge of the Cybermen and an interview with Michael Bryant who directed it and several other stories in the 1970s.
There's an investigation into whether the show's unsuitable for children, and the final part of the magazine's latest comic strip; the one the world knows only as Polly the Glot.
Plus, for those who still miss her, there's a pin-up of dagger-wielding jungle queen Leela.
Meanwhile, the Daleks' worst enemy Abslom Daak encounters a Massacre on Mazam.
And Night-Raven's up against the menace of Blind Justice.
Then, John Tomlinson and Jeff Anderson bring us Part 2 of The Paragon of Painthorpe Street before Steve Parkhouse and Jerry Paris complete the proceedings, with the Freefall Warriors in A Cat Out of Hell.
Marvel's adaptation of Conan the Destroyer continues unabated and I predict it'll feature much action from Grace Jones' character.
Apparently, there's also material in this issue that we'd associate with the tragically defunct Mighty World of Marvel but I don't have the slightest clue just what that material might be.
I do, however, wear a suspicion we'll also be treated to a profile of Conan creature Robert E Howard. Though, let's be honest, profiles of Robert E Howard are always a bit depressing.
18 comments:
Sorry for detour! I was first concerned I had only a minimal idea of who Oasis was in The context of this huge comeback tour. I watched a little bit on Facebook. Now I am deluged with videos for a band called “blur. “. Was there really a huge rivalry in the UK between Blur and Oasis as this rock-umentary portrays? Never can be quite sure about such pop culture stuff…
That was CH47 on Blur v Oasis
Steve, profiles of REH (and introductions to collections of his work) wouldn’t be nearly so depressing if the writers of said pieces didn’t always feel obligated to remind us that he blew his brains out at the age of 30. Like, EVERY. DAMN. TIME.
On the U.S. Billboard Hot 100 for this week in ‘85 there’s a lot of rubbish, a bunch of decent songs that I’ve just heard too many times , and not quite a handful of tunes that I still enjoy listening to on occasion:
#57: Rebel Yell — Billy Idol
#52 : Fields of Fire — Big Country
#24 : Middle of the Road — Pretenders
#3 : 99 Luftballons — Nena
b.t.
Sheana E’s Sugar Walls aint doin it for ya BT???
BT - You may be looking at the wrong Bill Board chart. 99 Luftballoons was like 1983-84 not 85? I dont see it on the Feb 22,1985, chart.
Dang, you’re right! Oops
b.t.
The February 1985 Hot 100 is even less appealing, I’m afraid. Oof. Struggling to find ANY that I wouldn’t switch channels over. “Relax” by Frankie Goes To Hollywood, maybe.
b.t.
The 80s… when INDIANA JONES first cracked his whip and PATRICK SWAYZE taught us how to DIRTY DANCE…
Anyhow Charlie woild NOT channel flip if these tunes came on:
BRONSKI BEAT - SMALL TOWN BOY
JULIAN LENNON- TOO LATE FOR GOODBYES
BRYAN ADAMS- SOMEBODY
Been a looong time since I’ve heard ‘em!
This was a puzzling month for fans of The Smiths. How Soon is Now? Was issued as a single in Jan 85, despite being the b-side to the 12” single of William it was really nothing, and included on the Hatful of Hollow album (both released the prior year). I had both, as presumably did many other Smiths fans (I reckon there was only a 100,000 of us at the time). Meat is Murder was a brilliant album, but not supported with a single. Instead, they released Shakespear’s Sister in March. They then released That Joke isn’t Funny Anymore (from the album) in July. As a rule, The Smiths 12” singles included great extra tracks that often didn’t make it onto the albums, and so were worth generally buying, however the bizarre release schedule often worked against any chance of chart success.
I only had Captain Britain monthly #2, of this bunch, but remember it fondly.
DW
Charlie, Yes there was a rivalry between Blur and Oasis in the 1990s which culminated in a ( press led) chart battle when they both released singles on the same date - Blur "won" with their single "Country House" beating Oasis' "Roll with it" to the number 1 spot. There was also the class element where Manchester Oasis were seen as working class and Blur were the posh lads from London/"down south".
I had none of these conics/mags I'm afraid .
Charlie -
As McScotty says, if you were in the UK in 1995, the Blur vs Oasis thing was all over the place. It was on the evening news. It was also utter bollocks. Even if you liked the bands. I didn't like either, but if push came to shove I'd have a marginal preference for Blur, but not to the extent of buying any of their records. Oh, actually I did buy one in 1994 but that was because it had a Pet Shop Boys remix on it.
Eastenders! I didn't watch it at first, but then it became a duty during the late 80s and early 90s, along with Brookside. Tuned out of both around 1992.
So, again - I did have this Starburst. I think this image on the front was the first I'd ever seen of The Terminator. I didn't see the film until 1988[!] in the wake of Aliens blowing my mind. My relationship with movies was a bit tenuous at this point.
I had this CB Monthly as well. I think this story was where I was beginning to realise it was just another shit comic. Going from Alan Moore's [comparatively] weighty, apocalyptic story to this nonsense... didn't work well for me.
DW - The Smiths were all over the place in terms of record releases, weren't they? All the semi-albums with recently released singles and interim compilations and all that.
Steve, with Magik concluded, I believe the MWOM material in SSOC consisted of Night Raven text stories.
Not exactly a major draw for new readers to the merged mag...
-sean
Sean, thanks. It wouldn't get me sticking my hand in my pocket, I must confess.
Bt, in fairness to the biographers, it is quite difficult to do a biog of REH without mentioning his ending.
When I was a kid I knew nothing about REH except his name and I imagined him as some kind of elderly Tolkien-esque gent puffing on a pipe so it was quite a shock to discover the truth.
Steve, it’s a fair point.
b.t.
I never got the appeal of The Smiths - I was ahead of the curve on finding Morrissey annoying even then.
On the subject of 'indie' guitar-type bands of the mid-80s, I did like the Jesus and Mary Chain's 'Never Understand' single that came out this month.
https://www.youtube.com/watch?v=zqIWlVUfxMM
But it quickly became apparent that their one idea - mixing up a catchy pop tune with a screaming racket - was fairly limited, and got a bit boring with the follow up (let alone a whole album). And the 'new Sex Pistols' hype around them was off putting too.
In the British music press of the mid-80s it seemed like there was a new 'new Sex Pistols' every week.
-sean
At 85p, wouldn't SSOC have been too pricey for your pocket anyway, Steve, whatever was in it?
-sean
Sean, the Bank of England's inflation calculator informs me that 85p in 1985 was the equivalent of £2.58 in today's money. It's total insanity.
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