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Cinema!
What a magnificent art form it is!
And just how magnificent was it in August 1976?
It was this magnificent!
Come to think of it, I don't recall ever having seen even one of those films.
I shall, therefore, assume the best of them to be The Shootist, simply because it has a serious title and, as we all know, serious films must be better than other films or they wouldn't be allowed to make them.
An adaptation of Anna Sewell's classic novel?
By Marvel Comics?
I'd assumed Black Beauty was one of these things - like Follyfoot - that was only famous in Britain. How little I knew.
And it all happens when Bill Mantlo and Keith Giffen reveal that a strange being, created by two scientists, so perturbs the local townsfolk that they break into the lab that spawned him and accidentally unleash an experimental nerve gas that wipes out the whole community!
But will Herman Melville's legendarily unreadable novel prove to be any more user-friendly in its comic book form?
I'm sure that Irwin Shapiro and Alex Niño will do their best to make it so.
Regardless, John Fago and E. R. Cruz perform the honours in this one, as Lemuel Gulliver has trouble knowing just what size he needs to be to fit in with the modern world.
Dauntless Don McGregor and fearless Frank Robbins lend us a tale that I'm struggling to recall in detail but I do, at least, recall reviewing it, right here.
From memory, I think my main complaint was that it doesn't contain enough words on every page to satisfy the true Don McGregor aficionado.
But just what are they going to do about the Celestial Arishem who, it's announced, will stand on a plinth for fifty years before deciding whether Earth lives or dies?
But, hold on. Right now, as I write this deathless prose, it's exactly fifty years later!
That means he's about to make his decision, Right now!
Good God, no. Not Keith!




















