Sunday, 31 August 2025

August 1985 - Marvel UK monthlies, 40 years ago this month.

Thanks to Charlie Horse 47 and Killdumpster for their sponsorship of this post, via the magic of Patreon
***

August 1985 was a bad time for all lovers of electric tricycles, because the Sinclair C5 - which had been intended to revolutionise motor transport on the planet Earth - ceased production, after just seven months, with fewer than 17,000 sold.

In fairness, 17,000 in seven months sounds like quite a lot to me but I'm no expert in tricycles.

Sadly, there was far more tragic news when it came to transport, as that August was oddly stricken by air disasters. It saw Delta Air Lines Flight 191 crash near Dallas, killing 137 people, Japan Air Lines Flight 123 crash in Japan, killing 520 people - including Japanese singer Kyu Sakamoto,  55 people killed while trying to evacuate British Airtours Flight 28M at Manchester Airport, and Bar Harbor Airlines Flight 1808 crash in the United States, killing all 8 passengers including high-profile thirteen-year-old peace campaigner Samantha Smith.

On the UK singles chart, the month began with Madonna's Into the Groove at Number One before that was dislodged by I Got You Babe by UB40 and Chrissie Hynde.

While, on the associated album chart, August kicked off with Dire Straits' Brothers in Arms on top before that had to make way for Now That's What I Call Music 5.

Starburst Magazine #84, Cats' Eye

As we can tell from that cover, the Stephen King based film Cat's Eye is going to get a reviewing.

But there's more because Tom Selleck talks about his new film Hit and Run in which he must battle out-of-control robots.

Elsewhere, Ursula K Le Guin and David Bedford talk about what seems to be an opera they've written.

I'm assuming that's not David Bedford the long-distance runner but I'm hoping it is because I'd like to see Frank Herbert write an opera with Brendan Foster.

Also, Linda Hamilton talks about Terminator, Jon Abbott takes a look back at Voyage to the Bottom of the Sea and there's a discussion on whether music videos are art or not which seems a strange topic to discuss in Starburst.

Not only that but there's a chance to win preview tickets to Ridley Scott's Legend!

Of course, I remember Starburst when it was called Opal Fruits Magazine.

Captain Britain #8

This, no doubt, tumultuous issue presents us with the Captain Britain tale Childhoods End which, judging by that cover, is the one in which they make the mistake of having Meggan lose her monstrous appearance and become a hot babe.

Then, there's a four-page story called The Eye Witness, brought to us by R. Hunter and John Stokes

Then, Night Raven's involved in a case of Secret Identity.

Next, Abslom Daak occupies a tale called Farewell to Draconia.

And we finish the issue with a yarn that goes by the unlikely name of PARTS vs. Zarts, GIA, HF, the Mob, Etc, Etc, and is the creation of Dave Harper and Barry Kitson.

Doctor Who Magazine #103

Can it be true?

Yes, it can!

Such is the madness of the world that we get an issue dedicated to The Mark of the Rani!

I think it's what we've all been praying for.

This means there are interviews with the serial's director, writers and designers.

And there's a full-colour poster of Kate O'Mara!

Beyond that epic adventure, we find a conclusion to the comic strip Funhousea story-writing competition and a selection of reader's artwork.

9 comments:

Anonymous said...

Re: STARBURST—
I’m curious about that movie HIT AND RUN with Tom Selleck battling out-of-control robots. Because (A) the title rings no bells whatsoever and (B) the description sounds like technophobe Michael Crichton’s RUNAWAY which was released the year before and was a poorly-reviewed box-office dud. Was Selleck so thirsty for feature film roles that he’d be dumb enough to make another movie about out-of-control robots so soon after the other one bombed? Or had the producers of RUNAWAY simply re-titled it for the UK market and hoped that its bad reputation hadn’t crossed the Atlantic yet?

b.t.

Matthew McKinnon said...

BT - I'm pretty sure that must be RUNAWAY.
It was released in the US in December 1984 so predictably we didn't get it til later in 1985 - probably around Easter? I went to see it. It was shit.

A very slimmed-down selection of monthlies by now. And none of them much good.

That ugly duckling thing with Megan in CB really, *really* annoyed me at the time. You just couldn't do it, could you? Couldn't let a female character not be hot.I wonder if this was the point where I decisively jumped ship.

Starburst - well, I've made it a monthly habit of expressing my surprise that I was still buying it. So why stop now? I'm startled that I remember this issue. I have no idea what on earth was making me keep parting with money for this mag etc. etc..

I was 14. I had a lot going on. I had no time for this stuff. Maybe it was just sentimental attachment? I'd been a huge fan when I was 10, 11 and the subscription was a big deal.

I liked 'Into The Groove', but I did not like 'I Got You Babe'.

My Dad had a copy of 'Brothers In Arms'. We didn't have much spare cash to buy records, but he got that one and loved every minute of it. I was naturally appalled.

Anonymous said...

Is it my blurry eyes or is that Who cover more revealing than what would be expected for a kid’s mag?

Anonymous said...

That era Dr. Who certainly made the most of Nicola Bryant’s natural assets. Didn’t she spend one whole serial mostly in a bikini?

Like Matthew I think the change in Megan’s appearance, in Captain Britain, changed the tone somewhat. Where previously imaginative and different, it increasingly became obvious. I assume Alan Davis made the call. Unless anyone knows anything to the contrary.

DW

Anonymous said...

Opal Fruits magazine, Steve?
How long have you been saving that joke up for? And what made you finally decide to use it? (;

The David Bedford of Rigel 9 fame is - perhaps unsurprisingly - the composer, not the long distance runner. He had a background in the avant garde, but also did string arrangements and stuff during the 70s for artists like Kevin Ayers, Robert Wyatt, Roy Harper, and er... Mike Oldfield, and some of his work from that era can be seen as crossing over to the more out there end of prog. Like his 1972 album 'Nurse's Song with Elephants' -

https://www.youtube.com/watch?v=KFQ_2RDGb_o

He might be best known to the general public for his piece '100 Kazoos' - scored for chamber ensemble and, well, a 100 kazoos (to be played by the audience) - which was broadcast on tv in 1971. You can see the programme here -

https://www.youtube.com/watch?v=7uaHCUENU_k

I particularly like the bit near the start where the presenter outlines the rest of the evening's programmes - the Bedford piece to be followed by a poetry reading, modern ballet, a documentary about Soft Machine, and a James Joyce adaptation.
Its sooo perfectly BBC 2 70s arts strand it could be from a Fast Show sketch. Nice.

-sean

Anonymous said...

Are music videos a strange subject for Starburst to have been discussing?
I don't think so. Music video was still a fairly new form in 1985, and considering some of the better known ones at that point - Ashes to Ashes, Thriller - it seems like a reasonable subject for a mag promising 'monthly coverage of fantastic media'.
Kinda surprised theres no mention of it on the cover. You'd think at least they'd have added an inset image of some pop star from a current hit video, to try and boost sales a bit.

Any thoughts on Legend, anyone? Its a very Ridley Scott film, in that it looks good but.... eh.

Like Matthew, I am not a fan of Dire Straits, or that version of 'I Got You Babe' (or Sonny & Cher's for that matter).
The record of the month was surely the Pogues' 'Rum, Sodomy, and the Lash'.
Almost as exciting as a full-colour poster of Kate O'Mara as the Rani!

-sean

Matthew McKinnon said...

Sean -

I missed Legend at the time and I’ve never had any urge to make up for that. Your description of it could pretty much apply to all of Scott’s films post-Blade Runner.

I’d like to listen to the rejected Jerry Goldsmith soundtrack as he was firing on all cylinders at this point in his career, but I haven’t done that yet either.

dangermash said...

I bought Brothers In Arms on vinyl and hated it. It bored the pants off me and was a huge comedown after the previous studio album Love Over Gold and the Alchemy live album in between. Even now, years later with hundreds of CDs and no vinyl, I only have the first four studio albums, Alchemy and a compilation album of Knopfler film soundtrack works. For a completist like me to stop there says a lot.

Steve W. said...

Sean, I agree about Legend. And thanks for the David Bedford info.

Dangermash, I agree about Brothers in Arms.

Everyone else, thanks for your comments too. :)