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When it came to matters meteorological, July 1983 was a month of contrasts.
On the one hand, the lowest temperature ever recorded on Earth was registered at Vostok Station, Antarctica, racking up a bracing −89.2 °C.
On the other hand, the UK was embracing a heatwave, as temperatures reached 33 °C in London.
The hot hits of the time were Rod Stewart's Baby Jane and Paul Young's Wherever I Lay My Hat (That's My Home) which respectively held the Number One spot on the UK singles chart, that month.
On the British album chart, however, the month began with Wham!'s Fantastic gripping the top spot before it was displaced by Yazoo's You And Me Both which then had to make way for The Very Best of the Beach Boys.
It's double trouble in this month's main strip.
For a start, the former Captain UK is having nightmares about the Fury having killed all her friends.
But, also, Captain Britain's attending a kangaroo court where Saturnyne's quickly condemned for her recent failure.
Elsewhere, Steve Moore and Steve Jones consider comics published in Japan, Alan Moore reviews fanzines, and Night-Raven encounters the Snow Queen.
In Daredevil's strip, the Gladiator holds a group of kids hostage in a museum.
And, finally, we get a reprint called Black Sun Rising, taken from the pages of Doctor Who Monthly.
In our main story, Mystique and her mates are out to kill Senator Kelly but Kitty's future self helps the X-Men thwart the plan, therefore changing the future.
As the future's previously consisted of the Sentinels wiping out Mutantkind, this is clearly a good thing.
Or is it...?
In the rest of the mag, Frank Plowright presents his Abbreviated History of the American Comic and the Scarlet Witch and Vision star in a tale called Faith of Our Fathers.
There's also a brand new comic strip begins but I don't know what it involves.
Well, this all looks like cause for concern. After all, if the cover's to be believed, inside we see Avon in trouble and Vila close to death!
Beyond that, I can say nothing of this issue's contents other than it seems that, yet again, Paul Darrow writes.
All I can do is hope he writes as melodramatically as he speaks.
For instance, I know Britain's greatest sci-fi mag takes a look at brand new movie Videodrome, even if the censors may end up not letting us see it
Inevitably, we get a look at the filming of Return of the Jedi.
And, less inevitably, legendary horror/sci-fi dramatist Nigel Kneale talks about this involvement with John Carpenter's Halloween III.





































