Tuesday, 24 December 2024

Fifty Years Ago Today! The 1974 Marvel UK annuals for 1975.

Thanks to Charlie Horse 47 and Killdumpster for their sponsorship of this post, via the magic of Patreon
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As every fool knows, Christmas Day means food, presents, TV, booze, arguments, the pub burning down and annuals.

Frankly, I can give you just two of those things.

Therefore, here they are.

When it came to Christmas Day TV in 1974, BBC One presented us with a whole heap of output including but not confined to:

Carols from Canterbury, Dame Flora Robson's Christmas Appeal, Rolf Harris's A Stocking Full of StarsLaurel and Hardy: Way Out WestHoliday on Ice, Jimmy Savile and Tony Blackburn hosting Top of the Pops, Billy Smart's Christmas Circus, True Grit, Bruce Forsyth's Generation GameSome Mothers Do 'Ave 'EmThe Mike Yarwood Christmas ShowBridge on the River Kwai and Michael Parkinson's favourite interviews with Morecambe and Wise.

BBC Two, meanwhile, offered up such fare as Golf 74La TraviataHenry V, Evel Knievel trying to jump over the Snake River Canyon, Ronnie Barker's Futtock's End and the quiz Face the Music.

Determined not be left behind by its public service rival, ITV stumped up Sooty's Christmas PartyCaptain Nemo and the Underwater CityChristmas Rock With 45, David Nixon's Christmas MagicThose Magnificent Men In Their Flying MachinesMeet Peters and Lee and The Tommy Cooper Hour, while the late movie was The Undefeated.

But what of those annuals?

Change was afoot. Whereas previous UK Marvel hardbacks had been published by IPC's Fleetway subsidiary, this year's were compiled by World Distributors Inc.

And did that make a difference?

Too right it did.

For a start, this time, they were in full colour!

And there was a much more focused feel to the choice of material, with the previous randomness discarded.

Avengers Annual 1975, Marvel UK

The Avengers get their first annual - and do it with peril - when they must tackle the menace of Magneto in a tale which first appeared in the US Avengers #110.

Fortunately, Daredevil and the Black Widow show up to rescue them from Magneto's mind control, and the Widow's rewarded by finally becoming an official member of the team.

Then, we get the 1965 Captain America pulse pounder in which Nazi agent Sando, posing as a stage act, lures Cap and Bucky into a trap that involves mental projections.

And we finish the book with its titular team taking on the maned mischief of the malevolent Lion God.

The observant will have noted that most of these tales are drawn by Dashing Don Heck himself.

And will find, within, a number of pin-ups.

Spider-Man Annual 1975, Marvel UK

Spidey swings into action to liven up our Christmas morning!

And he does so by having his first encounter with the Punisher!

Then he gets together with the Human Torch to create the Spider-Mobile. But he must face the menace of Hammerhead on his own. And then he must gatecrash the wedding of Aunt May and Doc Ock!

Bizarrely, for a Spider-Man annual, the final tale of the book is one which stars Giant-Man and the Winsome Wasp.

However, they do, at least, get to battle Spider-Man, having been tricked into it by Egghead who's out to distract them while he robs an armoured car.

I suspect that is a plan that's going to come back to bite him on the bottom.

And, of course, there are several pin-ups.

But it does all raise the obvious question of why the Green Goblin is on the cover when he doesn't seem to feature at all in the book.

Marvel Annual 1975, Marvel UK

Here it is, the only one of these annuals I ever owned.

And what a book it is, giving us two dollops of Herb Trimpe at his finest, as the Hulk comes up against Captain Omen and then Zzzax the living electric monster thing.

On top of that, we're treated to our hero's first encounter with the Silver Surfer, when Hulkie tries to force the pewter-plated board hopper to take him away from the planet Earth in a yarn pencilled by Mirthful Marie Severin.

And even more on top of that, we find a number of free pin-ups. One of which seems to have been drawn especially for the annual. Admittedly, it isn't a good pin-up but it is, at least, original.

23 comments:

dangermash said...

I had the Avengers annual but my parents couldn't find the Spider-Man annual.

The only comic I got every week was SMCW and my only previous exposure to The Avengers was in UK reprints of Avengers #6, ASM Annual #3 and FF #25-26. I somehow knew who Quicksilver and Scarlet Witch were but Magneto, Black Panther and Vision were all new to me.

I did enjoy that Avengers annual, though, and was overjoyed years later when the Avengers UK reprints moved to whatever the (landscape format) UK Spider-Man comic.

Happy Christmas to anybody out there who's still checking this blog and hasn't downed tools.

Anonymous said...

I would have loved these if I’d had them when I was a kid, but i only ever saw examples of UK Annuals many years later at various comic-cons. I adore that run of Conway/Andru comics in the Spidey Annual and that Lion God story was the first Avengers issue I ever owned. It may just be mostly nostalgia talking, but I think the Don Heck / Frank Bolle art is pretty strong.

b.t.

Fantastic Four follower said...

Merry Christmas to everyone.Loved those annuals but especially the Hulk Annual.I loved the Hulk from #115-195, 1969 to 1975 but especially those Englehart issues from #159-170.........the title for me was at an all time high with my personal favourite being Captain Omen/Nemo in #164 and #165 with Herb Trimpe art reahing its peak......absolutely stunning.Happy memories from half a century ago.I still treat myself to reading those issues.Best wishes to all.As usual, great post my friend.

B Smith said...

Any guesses as to who the artist was for any of those covers?

Anonymous said...

I have a very specific memory of reading MARVEL’S GREATEST COMICS 55 (and hearing “Angie Baby” by Helen Reddy on the radio) on Christmas Eve, 1974. It’s that goofy one where the FF think Daredevil is Dr. Doom in disguise and chase him all over town, and DD recruits Thor and Spider-man to help him out. It’s one of the dumbest Mighty Marvel Misunderstanding stories ever, but Kirby goes to town on the frenetic action and his rendition of Daredevil is so cool it makes you wish he’d done more than this one story featuring him (and a handful of iconic covers). So I think I might just fire up “Angie Baby” on YouTube and re-read MGC 55 tonight for old times’ sake.

b.t.

Anonymous said...

They look kinda Ron Wilson-y to me (with possibly Frank Giacoia doing the inks).

b.t.

Anonymous said...

The olden days, when it was still possible to wonder who was worse, Tony Blackburn or Jimmy Savile...
Hope you have a good festive season, Steve. And everyone else too.

-sean

Colin Jones said...

bt, Angie Baby was Helen Reddy's only UK hit (it reached #5). For some reason I Am Woman and Delta Dawn (both #1 hits in the USA) never made the singles chart over here.

Steve, Christmas TV in 1974 also included the final episodes of Whatever Happened To The Likely Lads (on Christmas Eve) and Steptoe & Son (on Boxing Day).
The final episode of Roobarb (called When It Was Christmas) was shown on Christmas Eve.

Colin Jones said...

And on December 28th Tom Baker made his Dr Who debut in Robot Part 1.

Steve W. said...

B, I can confirm Bt's suspicion that all the above covers were pencilled by Ron Wilson and inked by a combination of Mike Esposito and Frank Giacoia.

Bt, the Helen Reddy thing is a remarkable coincidence because I remember Angie Baby playing on the radio while I was reading Savage Sword of Conan #4.

I also remember Pilot's January playing while I was reading it.

Anonymous said...

Merry Xmas again folks!

As everyone knows by now, Charlie was a huge fan of the UK’s hard-back annuals a la DC Thomson, et al.

Were these Marvel Annuals large like DC Thomson?

My fellow Americans, the UK annuals were probably a good 2-3 inches taller and wider than a US comic book.

Anonymous said...

Charlie and Co. were able to watch UK’s TotP 1971 xmas special yesterday! It is on YouTube.

My only observation was the surprise that there was interpretive dancing done to George’s “MY SWEET LORD” and not a live performance or at least lip synching by HARRISON.

And, RONNY WOOD seemed the most charismatic of FACES as STEWART sang MAGGIE MAY.

Redartz said...

B.t.- That Conway/Andru run on Spider-Man was pretty cool, and remains a sentimental favorite. Pretty much so, all the way up to ASM 150. And I was pretty excited upon Christmas morning with the Marvel Calendar for 1975 ( with Spidey leading off!).
Speaking of Christmas, may you all have a fine one, full of peace, joy, and fun...

Steve W. said...

Charlie, interpretative dance was a common feature of Top of the Pops. Artists weren't always available, and videos were rarer than they would become later.

The Marvel annuals had the same dimensions as the DC Thomson and IPC annuals.

Colin Jones said...

Charlie, in 1971 the interpretive dance troupe on TOTP was Pan's People who were as famous as any of the pop acts who appeared on the show. Even my father had heard of Pan's People and he had zero knowledge about, or interest in, pop music.

Steve, what did you make of the colourised version of The War Games? I thought the colour effects were excellent but I wasn't expecting the changes made around the Doctor's regeneration. In the scene where the Doctor has to choose a new face the original faces have been replaced by images of recent Doctors which seemed unnecessary and gimmicky to me (especially as that scene is the earliest thing I can remember watching on TV) and a new scene was created showing Patrick Troughton regenerating into Jon Pertwee. Is this sacrilege or a stroke of genius??

dangermash said...

The big talking point for me in that Doctor Who episode was how much the set and the characters reminded me of Black Adder Goes Forth. Looking around the internet it seems like others had noticed this years ago.

The Jon Pertwee regeneration was, for me, a strike of genius. To compress the whole episode down to 90 minutes suggests that some stuff was left out so it's not as if adding the regeneration was a case of tinkering with an antique in mint condition and reducing its value. The whole thing felt to me like Marvel U.K. reprinting 1970s comics and tinkering with them, removing pages, replacing Russia with some made up country, skipping their issue, etc

dangermash said...
This comment has been removed by the author.
dangermash said...

their = the odd

Anonymous said...

With Jon Pertwee, maybe the Dr.Who multiple face changing's prophetic, considering Pertwee's later role as Worzel Gummidge, with multiple heads to choose from!

Phillip

Colin Jones said...
This comment has been removed by the author.
Anonymous said...

Redartz:
I got that first Marvel Calendar too, exactly 50 years ago today — and also Steranko’s HISTORY OF COMICS VOL. 2 and Les Daniels’ COMIX. Immersing myself in those three items was pretty much all I did for the next few days :)

b.t.

Steve W. said...

I must confess the Blackadder parallel occurred to me as well.

Overall, I thought the colourisation was well done but it did feel very rushed and meant there wasn't time to get to know the characters or soak in the atmosphere.

I didn't mind the regeneration stuff. This version is never going to be seen as the definitive one. So, they can get away with taking liberties.

I noticed they played the Master's theme tune when the War Chief appeared, clearly implying he's the Master. Thus wading in on an argument that's been going on for decades.

Anonymous said...

Last night I made myself a little playlist on YouTube of “Angie Baby” and some other songs that I might have heard on Xmas Eve 50 years ago — “Lucy in the Sky”, “Bungle in the Jungle”, “When Will I See You Again”, “Laughter in the Rain”, “Mandy” etc — and listened to them one after the other while I re-read MARVEL’S GREATEST COMICS 55. It was quite nostalgic and fun!

Afterwards, I remembered what Steve said about associating Pilot’s single “January” with SAVAGE SWORD OF CONAN 4, which caused me to look up Pilot on Wikipedia, which sent me on a tangent to Ambrosia’s Wikipedia article and I ended up falling down an Alan Parsons rabbit hole and ultimately back to YouTube where I spent about a half- hour listening to Alan Parson Project and Ambrosia tracks.

And then I remembered that I still hadn’t heard Darlene Love’s “Marshmallow World” on the radio, so I ended the evening with an actual Xmas Song before going to bed :)

b.t.