Sunday, 27 April 2025

April 1985 - Marvel UK monthlies, 40 years ago this month.

Thanks to Charlie Horse 47 and Killdumpster for their sponsorship of this post, via the magic of Patreon
***

They always say, "If it's not broke, don't fix it."

And how well the Coca-Cola company learnt that lesson when, in April 1985, it dumped its familiar recipe and unleashed the unstoppable powerhouse that was New Coke onto the market.

So bad was the response to it that the original version was back in the shops less than three months later.

Having far more success were Philip Bailey and Phil Collins who were top of the UK singles chart, as the month arrived, thanks to their platter Easy Lover. However, that was soon deposed by USA for Africa's We Are The World which then had to make way for Phyllis Nelson's Move Closer.

So, in the space of just four weeks, the UK top spot had been held by Phil, Phillip and Phyllis. Strangely, no one with any variation of those names seems to have appeared on We Are the World, unless you count keyboardist Greg Phillinganes. 

Over on the accompanying album chart, only one LP topped the listings, that April. And that was Hits 2 by Various Artists.

Starburst #80

The nation's favourite sci-fi, fantasy and horror mag takes a look at the hot new film we're all talking about. And that's 2001 sequel 2010.

There are also inspections of Brazil and the films of Wes Craven.

And we learn of a brand new New Zealand film called Death Warmed Up which I must confess to never having heard of but it stars Michael Hurst who will go on to find fame as Iolaus in the TV show Hercules: The Legendary Journeys.

Doctor Who Magazine #99

From that cover, I assume we'll be getting a glimpse at Attack of the Cybermen which features Sarah Greene as an ice-cold space alien.

We're also treated to an interview with the original Romana - Mary Tamm. 

There's a chat with Christopher Barry who's no relation to the Red Dwarf star of the same name but is, instead, the man who directed The Brain of Morbius.

We also visit the set of the legendarily disastrous serial TimelashWhile, elsewhere, the mag looks back at The Stones of Blood and at 1984's Chicago Convention.

I'm assuming that's a Chicago-based convention dedicated to Doctor Who. Not a convention held to celebrate the works of soft-rock band Chicago.

Captain Britain #4

I do believe we're about to read the Captain Britain tale that owes absolutely plenty to the first Quatermass adventure, by giving us a man who transforms into a hideous monstrosity and goes on the rampage in the streets of London.

I have no doubt Britain's favourite hero will stop him.

If not, he'll probably fail miserably and have to stand around watching while someone else does it, like usually seems to happen in his adventures.

Following that, Abslom Daak is involved in a Suicide Gambit.

Night Raven encounters Retribution.

We discover Episode 4 of Paragon of Painthorpe Street.

And the Freefall Warriors find themselves entangled in Mission Improbable.

The Savage Sword of Conan #90, Conan the Destroyer

In this week's thrilling epic, we explore more of Marvel's take on Conan the Destroyer, in which our hero escorts Jehnna to retrieve the horn of Dagoth but Taramis plans to sacrifice her in a ritual that will restore Dagoth to life!

Then there's the four-page article Sword, Sorcery and Celluloid.

From that title, I'm going to assume it's about Sword and Sorcery's penetrations into the field of cinema. I am, therefore, expecting plenty of Harryhausen.

In this month's slice of Magik, Illyana defeats Belasco and becomes ruler of Limbo. Hooray!

Next, Marvel Showcase brings us John Erasmus' A Peace of His Mind.

Then, Night Raven encounters Part 2 of The Visitor.

How ironic that, just before starting work on this post, I was listening to ABBA's The Visitors. Truly, fate works in strange and mysterious ways.

And King Conan is up against The Black Sphinx of Nebthu.

25 comments:

Anonymous said...

Steve - Quick, switch Brian to Brain, before anyone notices! Then delete this comment!

Phillip

Steve W. said...

Phillip, I've now cunningly corrected it. No one will ever suspect a thing.

Anonymous said...

It'll be our secret! ; )

Phillip

Anonymous said...

Back in '85, I never knew Philip Bailey was from 'Earth, Wind and Fire'.

The shoulders on that monster (Sidney?) on Captain Britain's cover are reminiscent of the Gossamer monster, from Bugs Bunny.

Phillip

Anonymous said...

How about that — two seperate comics stories ripped off from, er, I mean riffing on THE QUATERMASS EXPERIMENT in the same week here at SDC. What are the odds?

IIRC, John Buscema’s art on the CONAN THE DESTROYER adaptation was even duller and un-inspired than his art for the CONAN THE BARBARIAN adaptation. Poor guy was really phoning it in around that time. I felt bad for him! Happily, he managed to get quite a bit of his mojo back in the last few decades of his life.

b.t.

Anonymous said...

I think Sidney was infected by the Fury which should have made this story a lot more gripping than it actually was (didn’t he get diluted by the rain and flushed down the drain?). Speaking of the Fury, I always suspected he was visually ‘inspired’ by the monster from the Brain of Morbius. Another Steve Does Comics chronological coincidence.

Steve, are you referring to Blue Peter’s Sarah Greene? There were a couple of memorable stories during her era on the show.

DW

Colin Jones said...

Steve, I assume you were listening to the SONG called The Visitors rather than the entire album of that name?

bt, John Buscema died in 2002 so "the last few decades of his life" was only 18 years after Conan The Destroyer.

At this point the UK Conan magazine had a mere 3 issues left until cancellation.

Steve W. said...

Colin, it was indeed the song that I was listening to, rather than the album.

DW, I am indeed referring to Blue Peter's Sarah Greene.

Anonymous said...

Colin:
I’d forgotten that Buscema died over 20 years ago. Yikes. I think my point is still valid, though. He seemed to be somewhat artistically invigorated starting around 1988, when he began drawing Wolverine in MARVEL COMICS PRESENTS and his own on-going monthly. His short run on PUNISHER WAR ZONE was surprisingly fun too. He even reunited with Roy Thomas on a kick-ass AVENGERS ANNUAL and an entertaining run of multi-issue epics on SAVAGE SWORD OF CONAN.

b.t.

Anonymous said...

Pardon my sloppy grammar. I (of course) remembered that John Buscema passed away, but didn’t realize that it was so long ago. Swear to God, it feels like that “Batman Black and White” story he drew was just ten years ago, tops. The decades are just whizzing by now…

b.t.

Matthew McKinnon said...

God, 1985 was so dreary for chart music.
'We Are The World' followed by 'Move Closer' - what a one-two punch.

I had the Starburst. I really like 2010, as I have said before. It has no reason to exist whatsoever, but it's pretty gripping and looks great - much like Peter Hyams' earlier 'High Noon In space' movie Outland.

[Minus points for Roy Scheider's slightly hammy performance and a poor choice in getting David Shire to so a cheap-sounding semi-electronic soundtrack].

I really like that CB story, as well. I think when I sold or gave to charity all my CB magazines I kept this one.The end has a genuine emotional punch for me. Shame there was not one single story as good as this before or after, but even a stopped clock etc.

Greg Phillinganes! I only recently heard his version of Behind The Mask and it's a big hit with me.

Steve - are you an Abba fan? Have you been to see the Voyage thingy?

Anonymous said...

Did Ray Harryhausen work on any sword & sorcery films, Steve?
I appreciate that Jason & the Argonauts and the Sinbad flicks have swords and er, sorcery in them... but then so do all kinds of other films, from Ben Hur to Zu Warriors From the Magic Mountain but I wouldn't call them s&s either.
It would be reasonable to include a little about Harryhausen's work in an article about the penetration (oo-er, missus) of the genre into film imo, as an antecedent, or influence. But not plenty of it.
Looking up SSOC #90 on the GCD, the only thing I found out about the 'Swords, Sorcery and Celluloid' article is that it was written by Pete Scott. Thats a name I recall from articles and reviews in the merged MWOM monthly, and before that Daredevils, so was obviously done shortly before going to press, rather than an old piece reprinted from one of the US mags.

My bet then is that it was about the contemporary 80s mini-boom in s&s films - obviously the Schwarzenegger Conans, and Britflicks like those featuring the UK's number one s&s star Bernard Bresslaw, Hawk the Slayer and Krull.

Probably also American films like Beastmaster. And The Warrior & the Sorceress, which surely added to David Carradine's impeccable movie CV -
https://www.youtube.com/watch?v=t1InrXl_iBM

It might well have included Italian schlockmeister Lucio Fulci's classic 'Conquest', with the Claudio Simonetti soundtrack (presumably the tiny budget didn't stretch to getting the rest of Goblin) -
https://www.youtube.com/watch?v=vPcEnsSfltM

And maybe even one of my faves, the awesome Barbarian Queen -
https://www.youtube.com/watch?v=dVl26rgNB-w

-sean

Anonymous said...

sean:
I dunno — The Sinbad movies, CLASH OF THE TITANS and JASON AND THE ARGONAUTS all seem pretty S&S-ish to me. For that matter, so do some of the more ‘fantastical’ peplum movies, like Bava’s HERCULES IN THE HAUNTED WORLD.

Dépends on how narrow one’s definition of S&S is, I guess. On one hand, no, the Harryhausen movies aren’t very ‘Howardian’. But neither are Leiber’s Fafhrd and Gray Mouser or Moorcock’s Elric or Vance’s Cugel the Clever, etc.

As for the more obvious Conan knock-off S&S movies, I did like some of those back in the day in a ‘Guilty Pleasure’ kind of way. THE SWORD AND THE SORCERER was one of my favorites, but when I tried to re-watch it a few months ago I had to turn it off after the first five minutes or so. I too used to like BARBARIAN QUEEN, but I’m afraid to re-visit it now…

b.t.

Steve W. said...

Matthew, I couldn't claim to be a hardcore ABBA fan but I approve of anything that has a catchy tune. I must confess I've never heard of whatever the Voyage thingy is.

Colin Jones said...

Steve, the Voyage thingy means the ABBA concerts in London featuring computer-generated versions of the band (known as ABBAtars) as they looked in their '70s heyday. The track listing for the concerts always remains the same and by a strange coincidence the first song is always The Visitors but I was dismayed to discover that Super Trouper isn't included which is one of my favourite ABBA songs (the track listing for the concerts can be found online).

Matthew McKinnon said...

Steve & Colin -

I have been to the ABBA Voyage thing and must confess it’s one of the most astonishing bits of entertainment I’ve ever seen. It’s difficult to put into words how spectacular it is. The CGI band members are only the starting point. If you’re even a casual fan of their singles, then I’d say give it a go.

You have to grit your teeth a bit though as the crowds can be like the biggest hen night you’ve ever experienced, especially at weekends.

The setlist is apparently going to vary at some point as a friend of a friend (no, really) is part of the choir that participated in the recording sessions at Abbey Road and they did some other numbers that haven’t made it to the show yet.

Anonymous said...

b.t., I was pretty sure that if anyone else here was up on any of those last three films it would have been you (;
Its quite a while since I've seen them and my suspicion is they probably haven't dated well. I expect you're right about Barbarian Queen probably not being quite so awesome in the 21st century.

What is or isn't sword & sorcery? Its tricky because on the one hand I like to take a broad view of genre generally - you're always going to get more interesting work from writers that break with convention - but on a practical level its helpful to have categories simply to sort through the tsunami of cultural production around us.

Anyway, my take is that it's hard to say exactly what sword & sorcery is... but I know it when I see it!

-sean

Redartz said...

Steve, Colin and Matthew- That ABBA "Voyage" show is near the top of my bucket list. Have been a big fan of the group since first hearing "Waterloo" waaaay back in '74. Still hoping they arrange a venue for the presentation here in the States at some point; but may have to include the London show as part of a hoped-for dream trip one day...

Colin Jones said...

Well done Canada!

Anonymous said...

Well done Donald Trump!
He made the Canadian Libs great again within about a month of Trudeau having to resign. You've got to laugh.

-sean

Steve W. said...

Sean, if there's sorcery in a film and there are swords in it, I'm content to call it Sword and Sorcery.

Matthew McKinnon said...

Redartz -

Well the entire project is moveable. The venue was literally assembled from scratch in a very IKEA sort of way so that it can be reassembled anywhere. Also, because it was designed with this specific show in mind, the synergy between the performance space and the actual show is remarkable.

I have a feeling they're looking to recoup the astronomical costs of putting the whole thing together here in London before investing in taking it elsewhere. But if you're a fan of them from the 70s you absolutely should go see it if you can. It is pretty amazing.

Anonymous said...

Steve (and sean):

And besides, if we take the Harryhausens out of the equation, that means the entirety of the S&S Movie genre consists of one seriously flawed Conan movie, a handful of decently budgeted but mediocre Hollywood productions and dozens and dozens of DEATHSTALKERs and ATORs, and that’s just sad!

b.t.

Anonymous said...

Although not 'Roman/biblical' films, as such, many Harryhausen films ( based on weapons & footwear ), could still come under sword & sandals, loosely speaking!

Phillip

Anonymous said...

Red-
Someday ABBA will reunite and go on tour again.
In robot form.

M.P.