Thanks to Charlie Horse 47 and Killdumpster for their sponsorship of this post, via the magic of Patreon.
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Marvel Marvel Marvel.
That's my introduction to this post.
It's a terrible introduction.
Let's hope the post is better.
I do detect yet more of the seemingly endless Celestial Madonna Saga.
And a chance to uncover the truth, at last, about the origin of the Vision!
Much as I love Gil Kane, I must confess this has to be the sorriest excuse for a monster he's ever placed on the cover of a Conan comic.
Much as I love Gil Kane, I must confess this has to be the sorriest excuse for a monster he's ever placed on the cover of a Conan comic.
Regardless, the story within is called The Dweller in the Pool!
And I have no doubt the monster will seem more impressive when we see it in action.
I'm fairly certain I've never read this one. But I do know Foggy must decide whether to join SHIELD or not.
Call me overly-critical but I don't really see why the world's most high-powered counter-espionage agency would want Foggy Nelson amongst its ranks.
And it has even more woes to come because, as that's going on, it's subject to an attack by Hydra.
And Daredevil and the Black Widow completely fail to prevent the Dreadnaught from kidnapping the District Attorney!
And it's one whose plotline I can't even begin to guess at.
Except that, apparently, it involves invaders from the 5th Dimension.
And it's a yarn I thoroughly approve of, as Bruce Banner sets off to Russia, in a bid to rescue the captive Glenn Talbot from the clutches of the Gremlin.
According to the blurb, it's the battle I demanded!
Which is total rubbish, as the battle I demanded was between Charles Hawtrey and Barney the Purple Dinosaur. And still, after all these years, Marvel hasn't given me it.
Regardless, I'm getting the feeling, from the front cover, that this one involves MODOK getting into a scrap with the Mad Thinker - and Iron Man getting caught up in the middle of it.
And so is Hercules.
And so is Thor.
But we should never forget the company isn't the only scallop on the beach and that, where it goes, DC travels also.
I therefore suggest we scrutinise a random selection of its titles which likewise bear that May 1975 cover date.
But can it be?
It would appear so.
And it would appear that Supes was active at the time of the Great Disaster.
Which does raise the obvious question of what he did during it and of what happened to him afterwards.
And what a comic it is, as he gets up to something with Two-Face, although I don't remember what it is.
I do remember, though, that they soon fall out and fail at whatever it is they were trying to do, and that both end up back in the slammer.
It's not a book I've previously encountered nor even heard of but the internet informs me that he and Benjamin Turner visit Afghanistan in order to thwart a slavery ring run by someone called Aki.
I've never read this issue but it seems The Curse of Castle Hrothgar involves a distant past. One in which men live in the shadow of the god of fate - and in fear of Satan, Dragon-Lord of the Underworld!
That's not quite how I remember the story of Beowulf going. I can only assume my schoolteachers lied to me.
I'm struggling to recall exactly what happens in this one but I think it involves a Bonny and Clyde type pair of robbers, a corrupt official, an autogyro and a weak bridge.
As always, a fatal plunge from a great height probably awaits the wrongdoers.
Three tales of dread await us within, including the one about the family who find a mysterious baby sea creature and take it home with them.
Only for it to grow up to be a mind-controlling sea monster drawn by Alex Niño!
24 comments:
That Conan monster's got the Man-Thing's nose.
Daredevil will break his hands, punching a Dreadnought.
The Avengers is clearly a Starlin cover.
Maybe a 'most Gil Kane covers' month contest is in order. This month must come close to winning, if just a sample gets this many!
Phillip
Conan reaches #50 but there's no cover blurb declaring FANTASTIC 50TH ISSUE!
Conan nearly succumbed to early cancellation so reaching #50 was a big deal.
Does anyone else feel the cover to the comic is the primary way one remembers having read the comic?
CH?
I mean splash pages, issue numbers, plot lines, writer and / or artist … all good stuff! But thiugh I had 3-4 comics above the ONLY way I would recall having read them is strictly by the cover, lol.
That said, the Gwen clone story would’ve stuck with me on its own to some degree. Because that’s when I really really decided Marvel had “jumped the shark. “ I mean, to Deceive a young, still impressionable, Charlie, By seemingly and finally undoing the death of Gwen, only to start this clone bullshit. Sacrilege!
I often recognise a comic's cover without remembering anything about the story inside, Charlie.
Charlie - A Marvelite's few, most important comics, are remembered, cover and contents ( perhaps?) With less important issues, covers are remembered without contents (?) Maybe, with continuing storylines, beginnings & ends are easier to place, in particular issues, rather than 'middles' - which are less memorable. Also, anthologies with 6 or more titles make keeping track - memorywise - difficult!
Phillip
Btw… that SHADOW cover and interior art is the boss!!! And yet, perhaps to prove Charlie’s point, Charlie cannot remember the insides even though he just read it a month ago in preparation for this post.
Really, Charlie doesn’t spend much time drinking the hooch or puffing on the reefer.
Is it just Charlie’s memory really fading with age? Or was it always like that even 50 years ago?
Some pretty good comics here, perhaps not classics, but good.
Despite it's extended length, I was still enjoying the "Celestial Madonna" arc in Avengers. As Phillip noted, a nice Starlin cover; but those floating Avengers heads look like a Romita touch.
As for the Fantastic Four, another decent cover (white background, somewhat unusual). The FF meet up with the Inhumans and deal with Xemu; but what is most memorable about this tale is (spoiler alert) it's conclusion returns Medusa to the Inhumans and brings Sue Richards back into active duty.
With Spidey, the famous (infamous) clone saga begins. As I'd been a fan of MJ, I wasn't among the throngs calling for Gwen's return, but did like the story. Overall, that is- the Cyclone wasn't really that impressive as a villian; he took up most of this issue. The big draw was the final few pages. Oh, and another sharp Kane cover (with Romita inks, perhaps?).
Phillip and Charlie- Phillip called it, imho, with his comment about memory and important comics. Personal experience testifies to it. Having reacquired some very fondly remembered books from my hallowed youth, I find them matching my memory in detail. Even in the case of my very first comic, a 1967 Casper book- I'd not read it in 50 years, but when I opened a copy from Ebay I instantly recognized some of the panels and jokes.
Conversely, there have been many other comics I've managed to return to; knowing I'd had them before. But the rereading brought no recognition; obviously these books left no great impression...
I liked the Celestial Madonna saga well enough as it was being published back in the day, but nowadays (as I think I’ve said here before, probably more than once), I feel like her story peaked in GS AVENGERS 2, and everything after that was pretty dull and un-involving. All the filling-in of her true history, with the Kree and the Cotati etc — yaawwwnnn. WHO CARES?!!
Also, I don’t think I’ve ever liked the idea that The Vision’s body used to belong to the original Human Torch. It didn’t particularly bother me 50 years ago, but neither did it fill me with a sense of wonder. And nowadays I think that it disrespects both characters — it’s an ignoble end for one of Marvel’s Golden Age “Big Three” and makes The Vision a being created from spare parts. I did like the Tuska / Chiaramonte art in this issue.
I agree with Steve that the “Dweller” monster on the CONAN cover looks ridiculous. I don’t remember if it looks just as silly on the interior pages, but it might.
Redartz and I may be the only two people here who liked the “Gwen Clone” aspect of this issue of AMAZING SPIDEY. I’d been rooting for Petey and MJ to get together as a couple, was pleased when they had their “Big Moment” in the previous issue, and thought the return of “Gwen” was an effective and dramatic “plot complication”. Also, I was happily surprised that Peter didn’t just automatically ditch MJ and accept that Gwen had somehow returned from the grave. I thought his angry and confused reaction to the situation seemed plausible — but I’m getting ahead of myself. More on that next issue!
Unlike Red, I actually liked the Cyclone parts of the story too! Though I do have to wonder how Peter could afford to buy that big-ass electric fan…
Steve Englehart was one of my favorite comics writers back in the 70s, and I particularly enjoyed his run on CAPTAIN AMERICA for the most part, but I think he totally sh!t the bed with this issue. Making The Falcon actually a gangster named Snap Wilson brainwashed as part of one of Red Skull’s long-term “Sleeper” type plans is a just plain horrible idea all around. Hated it then, hate it now.
Over in DC-land:
I love-love-love the “Mighty One” story in KAMANDI. Goofy and brilliant in equal measure!
I kinda liked DC’s BEOWULF. Ricardo Villamonte’s art was stylish and helped give the short-lived strip its own identity (meaning it didn’t look at all like a Copycat Conan like that other DC sword and sorcery hero).
Nice Kaluta SHADOW cover. ER Cruz’ art on the interior was serviceable, I guess, but I much preferred Robbins.
The “surprise twist ending” of “Fish Story” (in the premiere issue of SECRETS OF HAUNTED HOUSE) is dumb as can be, but it doesn’t matter. Alex Nino’s art is flippin’ genius! Every page is gorgeous and makes Jack Okeck’s story way creepier than it deserves to be. The cover by Luis Domingo is really good too.
b.t.
Completely agree with b.t. about the 'Snap' Wilson thing. Turns out, Marvel's first African American super-hero was really a dodgy criminal jive talkin' pimp type the whole time. Thats so iffy that for once Frank Robbins' artwork in Captain America wasn't the most objectionable thing about an issue.
What was Steve Englehart thinking? Presumably he wasn't thinking at all.
And not just him. The storyline wasn't properly retconned into non-existence tíl 2015.
Meanwhile, over at DC - yes, Kamandi #29 is fantastic, one of the best issues of the series. And one of the great Superman stories, even though he doesn't actually get mentioned by name (let alone appear in it).
Kirby really understood the concept of Superman - its a shame DC didn't ever get him to do an issue or two of Superman or Action Comics. In fact, when he did use the character in their response was to have his artwork corrected, to make sure the character looked boring.
And it wasn't long before the story was rewritten. In Superman #293 - 'Costume, Costume -- Who's Got the Costume?' - some months later it was revealed that Supes' costume ended up in Earth AD (thats the one Kamandi lives on) after some altercation with a villain called Father Time, who was an alien Green Lantern from the future iirc. How stupid.
But I still prefer to think that Kamandi's world was the future of Earth-1, and the myth of the 'Mighty One' a memory of Superman saving the planet.
-sean
*In fact, when he did use the character, their response...
Phillip, most of that Avengers cover was obviously by Jim Starlin, but I am pretty sure those floating Thor, Mantis and Iron Man heads are by another hand.
Speaking of Iron Man - I just noticed he has a nose this month!
Scrolling through a few previous posts in this feature I see we've been in ol' Shellhead's nose-era for a little while now. And yet no-one seems to have mentioned it, not Steve in the posts, or anyone else in the comments.
That seems a bit slack...
-sean
I’m pretty sure this month’s Captain America was my first ever US comic purchased from the spinner at a newsagents. I got it during a summer holiday in Cornwall which makes sense as British seaside towns always seemed to stock US comics and this would have been late July/early August which is when I’d expect May cover dated comics to appear. I recall being aware of Captain America from Avengers weekly (not that I had read an issue at the time) and the adverts for the 1975 Holiday grab bag treasury edition. Plus, a kid at school had the Captain America palitoy figure (mego for our cultural cousins) which I coveted. This holiday was pivotal for young DW as the same newsagent had most of the early Planet of the Apes weekly issues (that I’d missed when first published) remaindered for 2p a copy. And, as if it couldn’t get any better, the local ITV franchise (Westward?) were behind with the Six Million Dollar Man and so I got to see a few early episodes that I’d missed.
DW
I second the Avengers floating head as added by Romita. I enjoyed the Celestial Madonna story but read it many years later in one go. I wonder if regular readers may have been thrown by the reliance on the Giant Sized issues. Was this FF part of the Crystal/Quicksilver storyline? I recall the cover from Complete FF weekly, which is where I first read those issues.
DW
sean and Redartz:
The floaty heads on that Avengers cover were definitely (re)drawn by Romita. He made some other changes as well, including removing a Human Torch figure standing in the distance. Starlin’s un-altered original isn’t hard to find on the internet if you want to compare them (that’s my way of saying I’m not computer-savvy enough to post a link).
b.t.
Sean - Yes, Redartz highlighted Romita's heads, on the cover!
DW - The first US Marvel I read was a Captain America, too. Sounds almost like a 'Speak Your Brain' topic. "What was the first American superhero title you bought?" For Team USA it could be: "What was the first UK superhero title you bought?" ( Maybe none, them not being published over the pond! )
Phillip
Ask it PHILLIP!!!
Charlie - What's your first UK superhero title? ( I'm guessing 'The Leopard From Lime Street' ! )
Phillip
DW, it probably depends on what you count as part of the Crystal/Quicksilver storyline. They got hitched in FF #150, so that was part of the general background to FF #158 (and 159) which involved the Inhumans.
But it had more to do with Xemu invading Attilan from the 5th Dimension, which (sort of) kicked off a story arc about alternate worlds.
I believe FF #158 also included the first Marvel Hostess Twinkies ad. Which featured Spider-Man.
-sean
Phillip:
CAPTAIN BRITAIN #4 (first series) was the first UK Superhero comic I bought. Far as I know, CB wasn’t widely distributed here in the States but somehow this single issue found its way into one of my local comics shops. Lead strip by Claremont, Trimpe and Kida in color, the other two features in b/w — FF by Lee, Buscema and Sinnott, Nick Fury by Steranko (with a new splash by Jim Craig). The whole package was kinda funky but I liked it. I would have bought more issues but I didn’t see them anywhere until much later.
b.t.
Er, I guess the ad would have been in the other Marvels this month too.
-sean
b.t. - It's good to know Captain Britain struck a chord with you, too! I've got a few issues, and 1977's CB Annual repeated a large chunk, too. Oh - and Super Spidey Weekly continued the saga!
Charlie - I think I first read TLFLS in an issue of Cheeky comic, but I may be wrong!
Phillip
1977 CB Annual = 1978 CB Annual, on the cover!
Phillip
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