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August 1985 was a bad time for all lovers of electric tricycles, because the Sinclair C5 - which had been intended to revolutionise motor transport on the planet Earth - ceased production, after just seven months, with fewer than 17,000 sold.
In fairness, 17,000 in seven months sounds like quite a lot to me but I'm no expert in tricycles.
While, on the associated album chart, August kicked off with Dire Straits' Brothers in Arms on top before that had to make way for Now That's What I Call Music 5.
But there's more because Tom Selleck talks about his new film Hit and Run in which he must battle out-of-control robots.
Elsewhere, Ursula K Le Guin and David Bedford talk about what seems to be an opera they've written.
I'm assuming that's not David Bedford the long-distance runner but I'm hoping it is because I'd like to see Frank Herbert write an opera with Brendan Foster.
Also, Linda Hamilton talks about Terminator, Jon Abbott takes a look back at Voyage to the Bottom of the Sea and there's a discussion on whether music videos are art or not which seems a strange topic to discuss in Starburst.
Not only that but there's a chance to win preview tickets to Ridley Scott's Legend!
Of course, I remember Starburst when it was called Opal Fruits Magazine.
This, no doubt, tumultuous issue presents us with the Captain Britain tale Childhoods End which, judging by that cover, is the one in which they make the mistake of having Meggan lose her monstrous appearance and become a hot babe.
Then, there's a four-page story called The Eye Witness, brought to us by R. Hunter and John Stokes
Then, Night Raven's involved in a case of Secret Identity.
Next, Abslom Daak occupies a tale called Farewell to Draconia.
Can it be true?
Yes, it can!
Such is the madness of the world that we get an issue dedicated to The Mark of the Rani!
I think it's what we've all been praying for.
This means there are interviews with the serial's director, writers and designers.
And there's a full-colour poster of Kate O'Mara!
Beyond that epic adventure, we find a conclusion to the comic strip Funhouse, a story-writing competition and a selection of reader's artwork.
2 comments:
Re: STARBURST—
I’m curious about that movie HIT AND RUN with Tom Selleck battling out-of-control robots. Because (A) the title rings no bells whatsoever and (B) the description sounds like technophobe Michael Crichton’s RUNAWAY which was released the year before and was a poorly-reviewed box-office dud. Was Selleck so thirsty for feature film roles that he’d be dumb enough to make another movie about out-of-control robots so soon after the other one bombed? Or had the producers of RUNAWAY simply re-titled it for the UK market and hoped that its bad reputation hadn’t crossed the Atlantic yet?
b.t.
BT - I'm pretty sure that must be RUNAWAY.
It was released in the US in December 1984 so predictably we didn't get it til later in 1985 - probably around Easter? I went to see it. It was shit.
A very slimmed-down selection of monthlies by now. And none of them much good.
That ugly duckling thing with Megan in CB really, *really* annoyed me at the time. You just couldn't do it, could you? Couldn't let a female character not be hot.I wonder if this was the point where I decisively jumped ship.
Starburst - well, I've made it a monthly habit of expressing my surprise that I was still buying it. So why stop now? I'm startled that I remember this issue. I have no idea what on earth was making me keep parting with money for this mag etc. etc..
I was 14. I had a lot going on. I had no time for this stuff. Maybe it was just sentimental attachment? I'd been a huge fan when I was 10, 11 and the subscription was a big deal.
I liked 'Into The Groove', but I did not like 'I Got You Babe'.
My Dad had a copy of 'Brothers In Arms'. We didn't have much spare cash to buy records, but he got that one and loved every minute of it. I was naturally appalled.
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