Thanks to Charlie Horse 47 and Killdumpster for their sponsorship of this post, via the magic of Patreon.
***
Atlas/Seaboard; the company launched with a mission.
A mission to sink Marvel Comics and take over the American market.
With Marvel's former publisher Martin Goodman at the helm and a huge pile of cash in its bank account, it couldn't possibly fail.
And yet it did. A victim of the clumsiness of its comics and the randomness of its editorial decisions.
But did it at least go out in style?
It goes out with the Phoenix, in his fourth issue, having a dramatic change of direction when he tries to kill himself by friction - but is instead rescued by Teutonic aliens who employ nurses in space bikinis and give him a new costume, a new name, new powers and a new mission.
Surely, from now on, he'll be unstoppable.
Or would be if he hadn't already stopped.
Regardless, in some ways I'm glad the Phoenix is the last Atlas character to bite the bullet, as I always felt he was one of the company's more potential-packed super-doers. As such, it seems only right that he should outlive their lesser lights. Even if it is by just one month.
But this shall not be the end of the story.
Because, from nowhere, he and several other Atlas heroes will return, thanks to 2011's three-part Atlas Unified mini-series.
During 1974 & 1975, Atlas/Seaboard published 28 titles, all of which failed to survive past their fourth issue, and introduced a whole slew of new characters to the world, many of whom had a fondness for cannibalism and near-plagiarism. It would be easy to say they it was not a popular company but some of us have a respect for plucky underdogs and have fond memories of buying their books. In my case, during a two-week buying frenzy in the summer of 1975 when they seemed to be everywhere and really did look like they were here to stay.
Will we ever see their likes again?
We can only stare at any empty spinner racks we come across in our journey through life, and wonder...




18 comments:
FFS Steve! No picture here nor at your post in 2010 of aliens in bikinis? All sizzle but no steak? We have been deceived.
Anonymous, a picture of said alien space bikini nurses has now been added to the post.
It’s fitting that PHOENIX #4 was the last comic published by Atlas / Seaboard, being a perfect example of the Goodmans’ bone-headed M.O. of changing horses in mid-stream in a desperate (and clueless) attempt to mimic Marvel.
b.t.
Anonymous thanks you!
Earth man says “ Yes there is pain. This is how you may service me” in the next panel?
A wise man once said, "I got nothing..."
Now push PUBLISH
I'd never even heard of Atlas/Seaboard until a few years ago so it's been an illuminating experience seeing all these covers over the last year or so, Steve!
STEVE - thanks for the nostalgia trip! Nice summary in the last paragraph. It was indeed a buying frenzy for us kids that first month, with hopes flying high. But in the end the comics just weren’t all that.
CH.
As a comic company, Atlas Seaboard was a weird animal. Even weirder than Charlton.
And it had a lotta weird animals. Or sub-humans.
Trying to tap into the spooky zeitgeist of the early '70's maybe.
M.P.
The UK chart also includes several ancient songs by Fleetwood Mac for some reason - including EVERYWHERE from 1987 which is one of my fave songs by The Mac.
I'll speak a little louder
I'll even shout
You know I'm proud
And I can't get the words out
Oooohhh
I wanna be with you everywhere...
Taylor Swift with Hamlet references, and Everywhere referencing Alfred Noyes' Highwayman. A literary turn it seems, this afternoon!
Phillip
Prowler once again wishes to reiterate, after check the jacket hanging in the front closet and under every couch cushion... "I got nothing... IN SPADES!!!"
Now push PUBLISH
Check the laundry basket PROWLER!
The UK singles chart is only allowed to include three tracks from an album so the other NINE songs from Taylor Swift's album are ignored as if they didn't exist but what's the point of a chart that doesn't show what people are actually listening to?? By contrast the US Billboard Hot 100 counts ALL the tracks on an album and Taylor Swift currently holds the entire top 12 positions on the Hot 100.
It makes sense, though, Colin. What’s the point of a singles chart if it basically counts an entire album? Were it me I’d be even more stringent and only count tracks that are explicitly released as singles.
Matthew, the idea of "singles" doesn't make sense anymore in this streaming age when any track on an album can be treated like a single. The singles chart could be re-named the popular songs chart to reflect which songs are genuinely being listened to.
Remember when we needed the little yellow adaptors to pop in our singles so we could play them on our Hi-Fi Stereo system? HEY, I GOT SOMETHINGS!!!
Now push PUBLISH
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