Sunday, 18 October 2026

2000 AD - September 1988.

Thanks to Charlie Horse 47 and Killdumpster for their sponsorship of this post, via the magic of Patreon. 
***

It does strike me the number of times random strangers in the street demand to know just how I achieve my stunning levels of fitness.

And, of course, it's because I'm still in training for the Olympics, knowing, as I do that, one day, if I keep plugging away at it, I'm bound to get selected.

People who have already managed to get selected are the people who took part in the 1988 Seoul Olympics which, as I'm sure you're aware, began in September of 1988.

And they weren't the only ones with reason to get sports fever. So could the ones with a taste for snowbound sports because, in that selfsame month, the International Olympic Committee awarded the 1994 Winter Games to Lillehammer.

Good news was also to be found by those whose ambition was to go even higher than Olympic high jumpers. And that was that NASA resumed its Space Shuttle flights which had been grounded since the Challenger disaster.

And the world's cinemas?

Just what was managing to fill them with punters that month?

They were mostly being filled with punters eager to watch The Deceivers, Eight Men Out, Rocket Gibraltar, Moon Over Parador, Running on Empty, The Beast, Doin' Time on Planet Earth, Elvira: Mistress of the Dark, Bird, Gorillas in the Mist and Dead Ringers. All of which was fortunate because it was the month in which those films came out.

I'm fairly certain that, of those offerings, the only one I've seen is Gorillas in the Mist. Therefore, I shall declare it to be the Steve Does Comics Film of the Month.

Come to think of it, not only have I not seen any of the others. I've never even heard of most of them.

What I have heard of is Phil Collins, and part of the reason for that is that September 1988 began with him at Number One on the UK singles chart, thanks to his latest smash Groovy Kind of Love. However, even the mighty Phil couldn't stay at the top forever. And so, before the month was out, his track had been dislodged by the re-release of the Hollies' He Ain't Heavy, He's My Brother which I have a feeling reappeared thanks to inclusion in an advert.

Needing no such aid to hit the top was Kylie Minogue who managed to rule the UK album chart with her self-titled LP. However, that was then deposed by Various Artists' Hot City Nights which itself then had to make way for Bon Jovi's New Jersey.

But what of the galaxy's greatest comic?

As regular readers may have expected, it was still serving up a familiar diet of Judge Dredd, Nemesis the Warlock, Tharg's Time Twisters, Zenith, Tharg's Future-Shocks and Sláine.

However, Prog 590 saw the launch of new Judge Dredd series The Mean Machine which was, as far as I can make out, created by reprinting the character's Daily Star newspaper strip.

But that's not all that was novel. Prog 591 saw the debut of Moon Runners, as brought to us by Steve Parkhouse, Alan McKenzie and Massimo Belardinelli.

And there's another matter we need to recognise because September also saw the launch of a brand-new comic from the same publishers as 2000 AD.

And that was Crisis. 

I'm not going to cover that each month, as such an effort might cut into the time available for my Olympic training but I shall at least feature the first issue here.

I must confess it's not a book I could claim to be overly knowledgeable about but it seems issue #1 featured two strips: Third World War and New Statesmen, brought to us by such talents as Pat Mills, Carlos Ezquerra, John Smith and Jim Baikie.

Despite struggling to achieve strong sales, the mag managed to last for 63 issues, switching to a monthly schedule from issue #50, was often politically aware and featured early work by the likes of Garth Ennis, Mark Millar, John McCrea and Grant Morrison.

Also, it appears to have been owned by Robert Maxwell before his not at all suspicious demise.

Crisis #1

2000 AD #593, Judge Dredd

2000 AD #592

2000 AD #591

2000 AD #590, Zenith's back

26 comments:

Anonymous said...

CRISIS ? This is the one-off stuff Charlie seeks out when passing time in a Comic Book Store!!! Especially existential threats or post-apocalypse works!!!

DMZ comes to mind, a series that I tripped over at an annual Library Sale where they sell off extra books.

Steve is each issue about WW3?

McSCOTTY said...

Charlie, No Crisis didn't just cover third war war tales although that was one of its most popular strips. Like Steve it wasn't a comic I bought very often .

Anonymous said...

Third World War - by Pat Mills and Carlos Ezquerra - wasn't actually about WWII, but exploitation and military intervention in the third world. Conceptually, it was a bit like Frank Miller and Dave Gibbons' much better (although still disappointing) Give Me Liberty which came out a couple of years later.

Steve, IPC was part of the Mirror Group, so all their comics - 2000AD, Roy of the Rovers, Buster, and whatever else they were still publishing by the late 80s - were owned by Robert Maxwell, not just Crisis.
The comic division - going back to its old (pre-consolidation as part of IPC) name Fleetway - was sold off to the publisher Egmont in 1991.

-sean

Anonymous said...

*wasn't actually about WWIII

Anonymous said...

Politically incorrect, Sean. "Developing nations" War, surely? ; )

Phillip

Anonymous said...

Hey, I didn't come up with the title, Phillip, and using the phrase 'third world' seemed like the clearest way to explain what it meant.

-sean

Anonymous said...

Don't take me seriously, Sean!

Phillip

Anonymous said...

I rarely do, Phillip.
(Er, that was a joke too)

-sean

Anonymous said...

I know ; )

Phillip

Anonymous said...

SEAN et al. Please tell Charlie about Miller’s GIVE ME LIBERTY? Worth a read? IIRC it was like a bigger deal right aftet I got back feom West Germany in 1989?

Colin Jones said...

Tonight I found a Two Shillings coin, dated 1965, lying on the pavement near my house!

Anonymous said...

Can you spend it or is it “dead” now? CH

Anonymous said...

I remember looking forward to Crisis, which promised more adult material and improved creator rights. Unfortunately we got Carlos Ezquerra on 3rd world war, who was totally the wrong artist for a mature political tale, should Pat Mills have written one (spoiler: he didn’t). Both were usually, at least, entertaining in 2000AD. Here not s much.

New Statesmen looked ok but was confusing and, again, not particularly mature or edgy. I think we expected a fortnightly magazine featuring the equivalent of Miracleman and V for Vendetta. They probably should have run the later chapters of Zenith, with hindsight. I guess they deserve a bit of kudos for trying to publish Milligan and McCarthy’s Skin, and later reprinted The New Adventures of Hitler.

I was still burned by the commercial failures of Warrior and Daredevils to consider decent material likely to be financially successful.

B.T.W. Sean, Colin, further to comments re. the previous post, ‘getcomics.org’ has the recent Captain Britain 50th anniversary issue and the colour Captain Britain A crooked world trade (featuring the Jasper/Fury storyline) which some of us continually reference. Not sure if it’s blocked in the UK, but works ok in Oz. Actually, I just checked and they have the entire run of Crisis, should anyone want to evaluate before purchase.

DW

Anonymous said...

Colin, A crooked world starts as Captain Britain’s costume changes and, while very amateur at the start, quickly becomes very compelling. As an original CB reader, I’d be interested if you enjoy this take.

DW

Anonymous said...

Steve, please delete if mentioning such sites is not cool.

DW

Matthew McKinnon said...

Give Me Liberty was a very strange comic: the first issue is stunning, exactly what you’d hope for in a book by Miller and Gibbons. If you can track down just that one issue, do so!

But from #2 onwards it abruptly switches to Miller’s clunky post-Robocop pastiche mode (he was writing Hard Boiled at the same time, so think of that tonally). It’s the exact point where I mark the serious decline in his work beginning.

You might think it’s down to my attitudes changing as I got older (leaving my teens), but I swear: I bought GML 1+2 and Hard Boiled 1 and read them all on the same train journey, and the drop-off between those two issues was crystal clear, and very weird.

Matthew McKinnon said...

I came here to say the exact same things.

I can only add that I give The New Statesmen another try every decade or so - but it never gets any less frustrating.

Matthew McKinnon said...

Steve - Dead Ringers is by far the best movie this month. Possibly that entire year.

Colin Jones said...

Charlie, I definitely can't spend the two-shillings coin I found as it hasn't been legal tender for decades. Britain's Imperial coinage was abolished in 1971 but the one-shilling and two-shilling coins could still be used for years afterwards because they were identical in size and value to the new 5-pence and 10-pence decimal coins.

DW, I'd rather not read comics on some dodgy website. A few months ago dangermash recommended a similar comics site but I stopped using it because I kept getting re-directed to completely unrelated websites and I was afraid I might download a virus or something.

Anonymous said...

DW, I pretty much agree with what you wrote about Crisis too.
The funny thing is, the House of Tharg launched another comic very soon after, a kind of 'junior 2000AD' aimed at younger readers

https://www.greatnewsforallreaders.com/blog/2016/11/4/on-this-day-4-november-1988-wildcat

Obviously it wasn't going to appeal to anyone in their 20s - unless they were particularly juvenile (I got the first few issues!) - but it actually looked better than Crisis. At least in part, as it had strips drawn by Jose Ortiz and the great Ian Kennedy. If those two had been given - respectively - Third World War and New Statesman to work on instead... well, Crisis would still have been a bit boring to read, but at least it would have looked a lot better!

However, while I hoped Crisis would be good, I never expected another Warrior, as the publishing landscape had changed since 1982, and British comic creators had more options for doing interesting stuff. I mean, look at how fast Neil Gaiman and Jamie Delano passed through the progs (and Marvel UK in the case of the latter) to work at DC by 1988.
And Crisis had domestic competition almost straight away, as the first issue of Brett Ewins and Steve Dillon's Deadline mag came out just a few weeks after #1, in early October.
You wait ages for a domestic comic intended for older readers, and then two turn up at the same time.... Typical, eh?

-sean

Anonymous said...

Matthew, don't worry - you weren't the only one to notice how Give Me Liberty had a drastic drop off in quality after the first issue.

-seann

Anonymous said...

When you can't even spell your own name properly... Duh.

-sean

Matthew McKinnon said...

I completely missed that at the time!
I wouldn't be surprised if Rebellion or some smaller press didn't collect those stories and reprint them sometime soon. Rebellion are about to release the first volume of Complete Starlord editions.

Anonymous said...

Matthew, Wildcat was easy to miss at the time. I don't recall it being promoted - or even mentioned - in the progs. The first issue just caught my eye in a newsagent, because the cover was obviously by Ian Kennedy, and I was curious...
Even when I was a kid, his stuff stood out in the old domestic boys comics, recognizable even without artist credits (earlier in the 80s I even bought a couple of issues of Marvel UK's Blake's 7 mag because he drew the strip, that's how much I like his work).

While I'm here again I'll just offer up a bit of further context (seeing as DW mentioned Warrior) - DC's V for Vendetta #1 has a September '88 cover date...

-sean

Anonymous said...

Thank you for the clarification.

Anonymous said...

Nobody's worked a 'Crisis, what crisis?' gag, into their posts. Too obvious, perhaps.

Phillip