What a strange time 1977 was. It was a time in which Marvel UK appeared to be approaching death at full speed, with its roster reduced to just two comics, thanks to poor sales and plunging profits.
But then, just as it hit its lowest ebb, it bounced back like a super-charged yo-yo, launching The Complete Fantastic Four and Rampage within a month of each other.
And then, the month after that second title was introduced, it did it again. This time launching not a weekly title but its first ever monthly mag.
That mag was Savage Sword of Conan which was a familiar title indeed to the handful of people who'd bought the weekly comic of that name two years earlier, before its cancellation after just eighteen issues.
But Conan's not a man to go down without a fight and, despite that failure, Marvel UK refused to give up on the hyperactive Hyborian.
And so it was that November 1977 saw the start of his second bid for British stardom.
On the face of it, it was a strange move, as the new book was virtually indistinguishable from its US forebear which, judging by the number of issues I had of it, was readily available in Britain. Still, it must have been a good idea because, unlike every other Marvel UK book that had been launched since 1975, it was actually a success, lasting for a walloping ninety three issues and eight years.
Not only that but it signalled the start of a new direction for the company and led to them creating a whole bunch of monthly titles to supplement their weekly staples.
The first issue of the original US magazine - and the first Conan comic I ever owned - was issue #4 which reprinted John Buscema and Alfredo Alcala's take on Robert E Howard's Shadows in the Moonlight. So, how strangely ironic it was that the UK mag featured that very tale in its first issue. Why it was in issue #1 and not #4, I have no idea. Perhaps the good people at Marvel UK just liked the cover?
As for me, I can't say too much about the UK mag, as I only ever had one issue of it, which was issue #20 from 1979.
By that point, its similarity to the US book had been reduced by it adopting a cover layout that noticeably resembled Dez Skinn's Starburst magazine, a change which I assume Skinn himself was responsible for.
As for the insides, I remember the Conan tale featuring art by Pablo Marcos, which was a bit of a disappointment to me after being used to the likes of Buscema and Alcala.
The Red Sonja tale in that issue was drawn by Dick Giordano, which might be the only work I ever saw him produce for Marvel. I vaguely recall the Sonj working her way through a crypt or some such and having to see off various threats along the way, including something that resembled Pan.
Sadly, I've no memory at all of the Solomon Kane story. In fact, my knowledge of Solomon Kane comes entirely from that James Purefoy movie of a few years ago. The one that I remember so well that I thought it starred Hugh Jackman, up until I Googled it five seconds ago.
Anyway, there you have it. From a sea of failure, Marvel UK suddenly found a success and a whole new direction for the company, proving that barbarism can have its upside.
This is why, to this day, I insist on wearing nothing but a loin cloth, smiting my foes and drinking nothing but mead.
No wonder I lost my job at the bank.
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