Thanks to Charlie Horse 47 and Killdumpster for their sponsorship of this post, via the magic of Patreon.
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But perhaps the most noteworthy were the timeless classics the world knows as Beware! The Blob, Frenzy and Conquest of the Planet of the Apes.
Still, at least I had the music scene to console me, and the start of June saw the summit of the UK singles chart being dominated by T Rex's Metal Guru.
I must confess I've never seen the first two of those three, while the third is probably my least favourite Apes movie.
However, that quickly made way for Don McLean's beautiful tribute to a well-known painter Vincent.
Even more however, there can be no beauty without the beast, and the musical beast that was Slade then kicked into gear, with their Take Me Bak 'Ome dethroning Don and seeing out the month at Number One, thus leaving no one in any doubt the Wolverhampton rockers had taken over as Britain's biggest group.
Speaking of big groups; over on the British album chart, the Rolling Stones' Exile on Main Street kicked off that June at Number One.
Speaking of big groups; over on the British album chart, the Rolling Stones' Exile on Main Street kicked off that June at Number One.
But it soon had to accept being deposed by Various Artists' 20 Dynamic Hits. Sadly, the latter is a record whose track listing I know nothing of.
I do believe this is that strange issue which is mostly drawn by John Buscema but has several Neal Adams pages inserted into it, as Lord Kevin travels to the Everglades to try and find Ted Sallis but, instead, finds only the Man-Thing, agents of AIM and a distinctly messy ink job on the Adams pages.
It's a bit of a shock to me to discover Fear is still going. I'd assumed it had bitten the bullet long ago.
But here it is and bringing us the following tales: It Crawls By Night, Never Trust a Martian!, I Can't Escape from the Creeping Things! and The Face! All of which are reprints from the 1960s.
That origin, of course, involves him having to serve time for a crime he didn't commit, volunteering for a medical experiment and gaining steel-hard skin, super-strength, a love of silk shirts and a whole new career as a super-hero for hire.
Roy Thomas (inevitably) stuns us all by bringing back the original Hulk, otherwise known as Xemnu, to bemuse and befuddle the Defenders, with his plan to use a kids' TV show to enslave mankind.
The Rawhide Kid hits his 100th issue and does so with a brand new tale called Gunfight At Fury Falls and a reprinted one called El Sombro. The latter features the work of both John Buscema and Joe Maneely, while the first is written and drawn by Larry Lieber.
I can't claim to be able to shed much light on this issue's contents but I do know they're titled Stop the Luftwaffe... Win the War!
That's because Luke Cage gets his own comic, as well. Not only that, he makes his first-ever appearance and gets an origin.
That origin, of course, involves him having to serve time for a crime he didn't commit, volunteering for a medical experiment and gaining steel-hard skin, super-strength, a love of silk shirts and a whole new career as a super-hero for hire.
Subby's still blundering around with amnesia.
Or is he?
Hold onto your hats because this is the tale in which his memory finally returns! Mostly thanks to his first-ever meeting with his niece Namorita, and a repeat encounter with the villain Byrrah who pulls a dastardly trick by pretending to have been captured by a talking crab that wants to rule the world!
23 comments:
Whoa!!! Isnt Subby 50 marking the return of Bill Everett???
Anon, Sub Mariner issue 50 did indeed see the return of Bill Everett for ( iirc) around 5 issues.
Astonishing Tales issue 12 is a big favourite of mine with those amazing 7 pages of Neal Adams black and yellow art.
The stand out issue for me though is Luke Cage issue 1, for that amazing Romita cover alone
Charlie Horse 47 here.
Luke Cage #1 certainly rocked Charlie’s world 50 years ago. Seemed to personify the much needed addressing of the social injustice in the USA at the time.
And where else would Charlie have learned to call his pals “you motherless freakin piece of scum!”
Hell, Luke even has his own Netflix series 50 years later.
And as we shall see… he was willing to beat the crap out of Doc Doom for skipping out on a fee!
A true class act!
I must admit that I've never heard of Combat Kelly & The Deadly Dozen before but according to Wikipedia the series lasted for 9 issues and everyone got killed in the final issue!
The recent apes trilogy (Rise, Dawn and War Of The Planet Of The Apes) was basically a remake of the final two films in the original series but so much better. In the new trilogy most of mankind is killed off in a global pandemic rather than the apes taking over the world with pitchforks as happened in 'Conquest'.
But I could have told you, Vincent
This world was never meant
For one as beautiful as you...
I do recall being shocked (yes, shocked!) in the final issue in which combat KELLY and his deadly dozen are killed off. Never saw anything like it before or since. Good point, COLIN!
Never mind 'Exile On Main Street' or lightweights like T Rex, Steve, the important fifty year anniversary this month is obviously the release of legendary Euro-prog high concept double lp '666' - on the Vertigo 'swirl' label - by Aphrodite's Child, who's line-up included Demis Roussos and the late Evangelos Odysseas Papathanassiou (the artist known afterwards as Vangelis).
I looked up '20 Dynamic Hits', and it would appear to be a K-Tel compilation of lumpen hairy rock music from the period - Deep Purple, Santana, Blood Sweat & Tears, that kind of thing - with Sly & the Family Stone thrown in, presumably to provide at least something worth listening to.
It also includes a tune by, er... Cilla Black. Not sure what the thinking would have been there.
One to avoid at car boot sales.
-sean
Steve, is there a reason you often seem to use pence covers for the Sub-Mariner in the Lucky Bag?
Wouldn't it have made more sense to do that with this month's Astonishing Tales, what with Kevin being a British toff?
Sweet Christmas, its Luke Cage #1!
Is Luke the first original Marvel character - ie not counting stuff like Conan or Dracula - to debut in his own title like that since the FF, and not in an anthology title or elsewhere first? Anyone know?
Anyhow, its a good first issue. The Irreverent Billy Graham added a bit of style to George Tuska's pencils, and its a shame Archie Goodwin didn't stick around for long as he seemed less prone to the more obvious 'blaxploitation' aspects of the series than the later writers.
I liked how, having been lumbered with a dubious costume design, Goodwin had Luke slightly embarrassed about it in the story - "Yeah, outfit's kinda hokey... but so what?"
-sean
PS Aargh! As soon as I posted that, I realised the X-Men first appeared in X-Men #1. Duh.
Ok, how about Luke must be the first individual Marvel super-hero to start out in his own title (to be on the safe side, I should probably add since the end of the Atlas era)...
-sean
koff koff - Daredevil - koff….
b.t.
Don McLean’s ‘Vincent’ tears me up every time. Colin, you picked the exact passage in the song that always gets my waterworks going. Just thinking about it makes me a little weepy. Sniff!
I love CONQUEST OF THE PLANET OF THE APES, full stop. Kinda freaked me out when I saw it in the theatre back in the day. Little did i know at the time that the original ending was even darker in tone, so much so that the producers had to cut a bunch of stuff to avoid an ‘R’ rating. The ‘uncut’ version is on the BluRay, and it’s pretty intense. Probably woulda given 11-year-old Me nightmares. I think it might be on YouTube too.
LUKE CAGE, HERO FOR HIRE #1 — BAM, there it is! Yessir, Billy Graham was the MVP of that title, in my opinion. He brought great heaping gobs of dimension and atmosphere to Tuska’s pencils. And when he did both pencils AND inks, wow, pure dynamite. Archie’s first couple of scripts were great and I thought Englehart did a good job too. Then Len Wein took over the writing and turned it into a much more conventional Marvel comic, God bless him. It got good again for a brief six-issue run written by Don McGregor, of all people.
I’ll be back to pontificate on SUBBY #50 later…
b.t.
Yeah, the Dauntless Don issues were promising b.t. Unfortunately though, he got lumbered with Fr*nk R*bb*ns.
(You knew I'd bring that up if you mentioned McGregor's Luke, right?)
And Daredevil... of course *slaps forehead* How obvious, once you mentioned it. Thanks.
Still, I reckon the basic point holds, that it was unusual in mid '72 for a brand new Marvel character to debut with their own comic.
-sean
Btw Steve, on the subject of then new Marvel characters - well, new-ish - in a couple of issues Fear would basically become a Man-Thing comic.
And then last long enough to introduce us to a certain talking duck trapped in a world he never made...
The Marvel 70s are definitely kicking in at this point.
-sean
We'll also avoid mentioning The Hulk to further spare Sean's blushes. ;-)
DW
I still like Metal Guru both in its original form and when the Smiths re-recorded it as Panic. I think Bolan had something but subsequently never really moved on from it. Sad that his final appearance on tv was falling off the stage while jamming with Bowie.
DW
Well, yeah, but no, but yeah DW. In my defence, the long running Hulk series came out of Tales To Astonish, and so... er, thats not actually going to convince anyone, is it?
-sean
Quick, somebody change the subject to Bowie and Morrissey's terrible cover of 'Cosmic Dancer'...
-sean
Sean, my choice of pence vs cents covers tends to be fairly random.
Sean - i know what you mean. For example the Avengers first appear in Marvel Three-in-One!
B.T. Where is your commentary on Subby! It is the start of a truly profound, and all too short, run by Everett.
Well, Charlie, I gave SUBBY 50 another look last night (and a quick skim thru the rest of Everett’s run) and it’s honestly a mixed bag. I love the art, but the story is kind of a mess.
Subby’s dialogue starts out in this torturous, high-falutin’, wildly melodramatic style, like someone doing a bad copy of Roy Thomas doing a bad copy of Stan Lee. It gradually settles down and becomes much less overwrought, but man, those first five or so pages are CRAZY. The plot is all over the place. Something about Man-Crab Monsters and Byrrah, and the Badoon needing to steal some oil for some reason…
Everett’s art is super-fun to look at. It looks like he’s having a blast, his pages are practically exploding with energy — ‘Hey, look what I can do!’ And Namorita is super-cute in her teeny-weeny bikini.
b.t.
Everett’s art to Subby was like Barks to the Duck! Just exploded in a serious yet mirthful way! Glorious stuff!
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