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The dark days of 1980s English football got noticeably darker, this month in 1985 when, in response to the Heysel disaster, just four days earlier, UEFA announced an indefinite ban on all English clubs taking part in European competition, with Liverpool expected to serve an extra three years after other English clubs had been readmitted.
In a more positive sporting vein, the city of Birmingham, England, unveiled its bid to host the 1992 Summer Olympics.
When it came to films, A View to a Kill was unleashed upon an awestruck world, marking Roger Moore's seventh and final appearance as James Bond.
Also waving goodbye to us was Route 66 which was officially decommissioned. Whether that means it's still there but not used, I cannot say.
On the UK singles chart, June sauntered into our lives with Paul Hardcastle ruling the roost, thanks to his track 19. That was then dethroned by the Crowd's You'll Never Walk Alone which, in turn, lost its top spot to Frankie by Sister Sledge.
The associated album chart watched the month begin with the Style Council's Our Favourite Shop in pole position before that was dislodged by Bryan Ferry's Boys and Girls which then had to subside before the might of Marillion's Misplaced Childhood which then had to make way for Bruce Springsteen's Born in The USA!
Abslom Daak, meanwhile, finds himself in Daak Alliance.
And Night-Raven finds himself In the Frame.
Mike Collins, however, gives us Part Two of City Snapshot.
And Space Thieves presents PARTS vs. Zarts, though, frankly I have no idea what it is.
Yet again Conan discovers The Devil Has Many Legs!
But does he have too many?
And just how many is enough?
That's followed by Pete Scott's article The Eternal Champion.
Next, Red Sonja learns that While Lovers Embrace--Demons Feed. A fact she'd already learnt in the pages of 1983's Red Sonja #1.
After that, Night-Raven must contend with Time & Tide, this issue's Marvel Showcase sees Mike Jones unveil a four-page yarn called To Win a Maiden's Heart, and King Conan must endure the Red Moon of Zembabwei!
Please tell me it's Doctor in Distress. Who wouldn't want a copy of that slamming away on their gramophone?
There's also a gallery of readers' art, a look back at the Davison era story Frontios, a review of The Two Doctors/Mark of the Rani, and an interview with Vengeance on Varos director Ron Jones.
And, if the cover's to be believed, on top of all that, this issue includes all my favourite regular features!
But this is what we all came here for. A look at the making of Return to Oz!
There's also an interview with John Halas but I don't know who he is. So, I'm going to assume he's some sort of animator.
There also looks to be a chat with Jeff "Starman" Bridges.
And there's definitely a retrospective of classic ITC show The Prisoner.
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10 comments:
Some great covers here.
That Alan Davis wraparound shows he can still bring it when required. And a recycled Sienkiewicz - nice!
I reckon I’ve still got that Starburst as I kept all of them up to early 1983 plus the ones later than that with films I’m interested in. And I’m definitely interested in Return To Oz.
John Halas was half of Halas & Batchelor, master animators. They did the animated Animal Farm movie and lots of really interesting stuff right through to the 70s. They did a trippy film to accompany Kraftwerk’s ‘Autobahn’ in 1979.
As a footnote I saw Kraftwerk live again last Sunday, outdoors through a brilliant sound system and they were still incredible.
I also watched ‘Starman’ for the first time recently and it was rubbish.
Every time I see a mention of RETURN TO OZ here at SDC, I’m reminded that I should re-watch it. And then I always forget to. But dang it, I really should — I’ve only seen it once before (on opening day, I think).
I also saw A VIEW TO A KILL back in the day (maybe not on opening day but sometime on opening weekend for sure) — and managed to block out almost all memory of it for decades. Broke down and re-watched it a few years ago, during the lockdown. In some ways, it wasn’t as horrible as I’d expected but in other ways it really really WAS. I’m not a big fan of the Daniel Craig movies, but at least they don’t score action scenes with “funny” needle-drop pop songs anymore.
I’m trying to remember where Bill Sienkewicz’ SAVAGE SWORD cover art first appeared— pretty sure it wasn’t originally on a U.S. SAVAGE SWORD. I used to own a Conan calendar that Bill did way back when — maybe it’s from that?
b.t.
b.t.
Ignore that second “b.t.” above.
Or pretend it’s below this post.
ROUTE 66 started in Chicago and meandered south and west in the USA. There are an interminal number of “former route-66” signs helping one remember and barious restaurants and saloons using the moniker as well.
FWIW my uncle told me he drove rt 66 several times as a kid in the early 1950s from Chicago to Cali, the entire distance of like 2,500 miles. He said it took a good 4 days. I told him “no way… with all those stoplights on a two-lane road???” He said “Joey back in those days there were no stoplights because there were no cars. Really. We seldom had to stop except in big cities like St Louis. It was easy driving.”
And there you have it: rhe good ole days.
I forgot to add
CH and
CH to my remarks above.
CH
I’ll second the David cover as a good one. It evokes the chaos of the Saturnyne trial from the Daredevils era. That exclusion of English teams from the European competitions was particularly galling as West Ham finished 3rd in the 1985/86 season and would have qualified for the UEFA cup (along with Man Utd and Sheffield Wednesday). Liverpool qualified every year and so their self-inflicted ban wouldn’t have hurt as much. Not my favourite team, to be honest.
DW
Davis cover (FFS)
DW
Was anyone into Marillion, at all?
I was 14 at the time and surrounded by people who loved all the pop music of the time but suddenly, bafflingly decided Marillion were ‘proper, serious’ music and became fans.
It was maddening, because they were rubbish - everything about them was fatuous and derivative - but like a nasty addictive drug they somehow managed to get their claws into a whole load of my friends.
I’m glad they completely faded away and haven’t had any kind of revival whatsoever in the years since. Apart from the drummer turning up in the Alan Partridge film.
Matthew, apart from Kayleigh, the appeal of Marillion was completely lost on me.
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