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August 1975 didn't see the release of a million films of note or distinction but it did witness the unleashing of Picnic at Hanging Rock, The Land That Time Forgot and The Rocky Horror Picture Show, all of which are memorable in their own sweet way.
As for which is best, I'm tempted to nominate The Land That Time Forgot as my Movie of the Month - purely because I'll watch anything that has monsters and Doug McClure in it - but I must confess that Picnic at Hanging Rock is clearly a classier film and has Neighbours' Mrs Mangel in it, and the presence of that icon alone is enough to make any film a classic in my books.
And, now, we've got the chance to see it every two months, as a brand new book arrives to set our spinner racks a-spin.
It looks like Subby has his work more than cut out for him when he has to deal with not only Dr Doom but also Attuma and Tiger Shark! Not to mention the diabolical Dr Dorcas!
I'm not totally sure why we need another battler of dinosaurs, when the company already has Ka-Zar to fill that role but here he is.
In this phenomenal first issue, military type Jim Scully and friends get lost in the Bermuda Triangle and find themselves in a bizarre realm populated by prehistoric monsters and futuristic aliens.
At least, I think he does. That's how I remember it, anyway.
I can predict this book will run for a sensational eight issues.
Not only that but we get a look at The Gods of the Hyborian Age, Part II: Crom and Mitra: Gods to Swear By.
Then, there's Lin Carter's The King Is Dead - Part IV of Chronicles of the Sword: An Informal History of Sword-and-Sorcery Fiction.
That's followed by Robert E Howard's cheery Lines Written in the Realization That I Must Die.
And we finish off with Roy Thomas' adaptation of REH's essay The Hyborian Age, Chapter 1: The Pre-Cataclysmic Age.
But, of course, the real reason for buying this issue is Boris Vallejo's never-to-be-forgotten cover.
Clowns who bear a strange resemblance to our favourite comics creators, as Jim Starlin decides to bite the hand that needs him.
To do that, they head for Berlin, in search of a villain called Brain Drain!
I know little of the character and I know less of this story but I do know he likes to pop out of a painting and he does just that, this month, in order to battle an evil cult.
This, however, is the last issue of Dead of Night, which means he'll have to pop out of any future paintings somewhere else.
You've seen the film. You've read the books. Now experience the magazine when Marvel gives us its take on the Man of Bronze and entices us in with a Roger Kastel cover.
In this issue's 52-page main story, Doc and we encounter The Doom on Thunder Isle!
And There's a look at George Pal: The Man Who Shot Doc Savage!
10 comments:
Anyone know how much an artist earned for a cover painting like Conan or Savage?
CH
Wasn't Picnic At Hanging Rock supposedly based on a true story?
The Scarecrow joined the line-up in Marvel UK's The Super-Heroes starting with #41 which I remember being advertised at the time but I've never read any Scarecrow stories and to this day I still don't know a thing about him.
I've mentioned this before but I saw The Rocky Horror Picture Show for the first time only a couple of years ago (on BBC iPlayer) though I already knew the song Let's Do The Timewarp Again from when it was a hit by Damien in the '80s.
Charlie, sadly, I don't know the answer to that one.
Colin, it's often claimed to be based on a real incident but, as far as I know, it's total fiction.
Moon Knight is 50!
For such a crap knock-off character, he’s certainly got legs.
Open question: was the Jake Crawley secret identity introduced after the movie Taxi Driver, or was it present from the beginning? I don’t have early early stories to hand so I can’t check.
Picnic At Hanging Rock is a great movie, but has anyone else read the book? It’s a solid gold masterpiece. It’s one of those books that makes the movie adaptation look like Cliffs Notes. Highly recommended.
The Rocky Horror Picture show is one I keep meaning to revisit. I saw it in 1986 when I was 15, in a rare (for where I lived) late night double bill with Young Frankenstein. I liked it a lot.
Then it became kind of a naff studenty thing and dropped off the cultural radar. But I kind of feel I should give it another go. There was a great article on The Quietus website arguing for its transgressive aspects, which seemed on point.
I love The Land The Time Forgot. I feel I’ve already explained why in the past so enough said.
Steve:
Funny, you mentioning SAVAGE SWORD OF CONAN #7 possibly being your introduction to the word “ziggurat”. Mine was definitely DOC SAVAGE #1 — the villain of the story called himself the Silver Ziggurat. I’d certainly never encountered that word before then.
Strange that SAVAGE SWORD’s lead story had a time travel component the same month SKULL THE SLAYER #1 hit the spinner racks. Kind of a nutty story from what I remember of it, with typically beautiful Buscema / Alcala art. That was the one with the humongous crossbow thing, right? Simonson’s art on the adaptation of Howard’s pseudo history lesson was quite nice as well.
SKULL THE SLAYER was kind of an odd duck of a comic, wasn’t it? Felt like it wanted to be a little bit REH, a little bit ERB, a little bit IN SEARCH OF, a little bit Irwin Allen (the group of supporting characters along for the ride always reminded me of LAND OF THE GIANTS).
b.t.
Some other interesting comics cover-dated August ‘75:
Kirby’s cranking ‘em out at the tail end of his DC contract : 1st ISSUE SPECIAL 5 (Manhunter), OUR FIGHTING FORCES 158 (The Losers), KAMANDI 32, RICHARD DRAGON, KUNG FU FIGHTER 3 (it’s pretty weak) and SANDMAN 4 (inked by Wally Wood). Those last two are actually “Sept 75” comics but maybe sean won’t notice…
GIANT-SIZE MAN-THING 5 — unusually for the Giant-Size line, it’s a collection of shorter tales, including the second Howard the Duck solo story, “Hellcow!”. My favorite story in the issue is “There’s a Party in 6G” by Gerber and Sutton.
MASTER OF KUNG FU 31– Moench and Gulacy really finding their groove with the multi-issue Super-Spy-style thrillers.
PLANET OF THE APES 11 — Ploog art up front, Alcala art in the back = solid issue.
SCARY TALES 1 — an all-new Charlton horror comic, hooray!
b.t.
b.t.
Oh no, I did it again
Oh no, I did it again
Yes, I noticed the Sept '75 thing, b.t. b.t.
The problem is that it means you missed out this month's awesome OMAC #6 in your list of late DC Kirby klassics (although I'm not sure Dragon Fighter #3 counts as a klassic - even Kirby couldn't elevate that sh*t).
Matthew, I'm fairly sure that at this point Moon Knight is just Marc Spector, merc for hire. Actually iirc in that WBN story it seems like its the Committee who give Spector the Moon Knight costume and identity, specifically to take down the werewolf... it all reads a bit oddly in light of later developments.
The various other alter-egos came with what I think was his next appearance about a year later - his first solo outing - in two issues of Marvel Spotlight.
Steve, Moon Knight didn't seem obviously Batman-like at this point - not like, say, the Shroud did straight away, in Super-Villain Team Up - and I reckon it's really with his solo series and Sienkiewicz, who's style back then possibly inspired Doug Moench to try and write like Denny O'Neil, that the comparison makes sense.
-sean
sean sean:
Yeah, Kirby’s KUNG FU FIGHTER is pretty krappy. I think his Manhunter story in 1st ISSUE SPECIAL is pretty bad too.
b.t.
Btw b.t., you forgot to mention Dr Strange #9 in your list of other comics this month. Its a good one (although unfortunately Gene Colan's work was inked by Frank Chiaramonte).
Steve, there were a few interesting other films released this month that you didn't mention.
Like Akira Kurosawa's 'Dersu Uzala', about a Nanai hunter, set in the Russian far east around 1900.
https://www.youtube.com/watch?v=adiSoh_u7eQ
A Soviet production, it revived Kurosawa's career after 'Dodesukaden' had been a flop, and the Japanese film biz wouldn't touch him.
And in the US, Ralph Bakshi's somewhat controversial - and questionably titled - 'Coonskin'.
https://www.youtube.com/watch?v=ulxI0qs1jdA
Hm. Personally, I think the film does seem a bit racist, irrespective of Bakshi's intent (I'm not convinced that pointing out it has a go at Jews and Italians too is really the best argument in his defence). On the plus side though, Barry White is in it.
Plus Just Jaekin's 'Histoire d'O'/'Story of O'. The French, eh?
-sean
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