Thanks to Charlie Horse 47 and Killdumpster for their sponsorship of this post, via the magic of Patreon.
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I'll be your long-haired lover from Liverpool.
I won't really.
But Jimmy Osmond will!
And if you want, he'll even wear a mask!
It's true. It was in this week in 1972 that the song of that title by the artist of that name hit the Number One spot on the UK singles chart, by deposing Chuck Berry's My Ding-a-Ling. How thrilled everyone must have been at the songs that were dominating the charts in that period, and what a golden age it must have seemed.
Over on the British album chart, there was little joy for either Chuck or Jimmy, as the roost was once more ruled by Various Artists' 20 All-Time Greats of the 50's.
But what roosts were being ruled in that week's Mighty World of Marvel?
And just who were the roosters?
Unless you count the cave that houses his Gamma Gun, the Hulk doesn't have a roost.
He does, however, have an enemy.
And that's the Metal Master, a foe who'll go on to make surprisingly few appearances after this tale. Perhaps the humiliation of being one of the few foes ever to be outwitted by the Hulk proves too much for him.
In the swamps of Florida, meanwhile, Spider-Man, begins his first-ever encounter with the Lizard who's probably my favourite Spidey villain.
Elsewhere, the Fantastic Four have the deadliest fight of their lives, so far, when they must combat both Dr Doom and the Sub-Mariner - and find their Baxter Building HQ launched into space.
With them inside it!
As if that's not thrilling enough for us, this issue - as did the previous one - gives us the chance to be a Marvel editor.
Holy smoke, it's true! This very Christmas, we also get a whole heap of Marvel reprint goodness from IPC subsidiary Fleetway who bring us their very own Marvel Annual. I couldn't claim to understand the legal manoeuvrings that have made such a thing possible but, whatever they were, we all have cause to be grateful.
In it, we get to see the Hulk's battle with the terrible Toad Men, the Fantastic Four's epic encounter with Kurrgo, lord of Planet X, Spider-Man's tussle with the Tinkerer and his cellar-full of aliens, the Hulk's thwarting of Tyrannus, and Spidey's first-ever meeting with the Scorpion.
Not only that, there's a text retelling of the origin of the Fantastic Four, a gallery of Spider-Man's deadliest foes, a two-page overview of the Marvel Universe, and a Lee/Ditko look at Spider-Man's secrets.
And there's even a chance to read Conan's encounter with Zukala and his lovely daughter who keeps turning into a tiger.
Granted, that last reprint seems out of place alongside all that early 1960s super-hero action - and we've read most of these stories, in the past few weeks, in Marvel UK's weekly comic but who cares? It's all great stuff. And it's yours for just 65 pence!
36 comments:
On that cover, the Lizard's head resembles a glove puppet! His mouth should be more angular.
Phillip
Nothing more disappointing than when an annual features stories that appeared not long before or after on the weekly comics.
It happened with Spider-Man once. Was it that Longest Hundred Yard story with the ex American footballer talking early on about a famous touchdown he scored, and later on running away from gunshooting kidnappers carrying his baby with two very similar sets of panels?
As for the lizard's look, Phillip, not perfect I agree. But far better than what I consider his worst ever look in ASM #102, Kane inked by Giacoia.
Phillip, it is indeed a slightly odd portrayal of the Lizard.
Dangermash, I loved Gil's portrayal of the Lizard. I remember copying the panels, with my trusty pencil, as an eleven-year-old.
MP, happy Winter Solstice to you too.
Colin, I've just seen the depiction of Charles on the new £50 note. He looks like he's got mingled up with George W Bush, in the Fly machine. Also, how come he's suddenly got a full head of hair?
Do stamps show the monarch as they looked when they first ascended to the throne.
I was watching 'Long Haired Lover From Liverpool' on YouTube just yesterday as I knew it was the 50th anniversary - you've got to admit it's catchy and Jimmy Osmond still holds the record for the youngest person to achieve a British #1 hit.
That Marvel Annual cover is awesome!
It appears to be a painted (?) version of a Kirby scene, which I actually remember. Was that from Hulk #1 or 2#, maybe? The starkness of the art, the empty desert, the darkness and desolation punctuated by scenes of explosive violence in those early issues strike me as eerie and scary. But it was a monster story after all!
On another note, I've always liked the Lizard. His plan to use his mental control over all reptiles to take over the world didn't make a whole lotta sense, but strategy was never his strong suit.
It's weird that Doc Conners would use some kinda "lizard serum" to grow back his arm, because reptiles don't actually grow back limbs (as far as I know) although some lizards can detach a tail and grow it back, as a defense mechanism.
Gil Kane did draw a great Lizard, Steve, and so did Romita. They put a snout on him, unlike in Ditko's version.
The tattered purple pants (standard issue for Marvel man-monsters) and lab coat were a nice touch. The lab coat reminded you that there was a scientist in there somewhere.
But then, scientists often got mutated in these stories. It was a tricky occupation.
M.P.
I find that Marvel Annual cover striking, although for different reasons than my esteemed colleague M.P.
On the one hand, its very much in the style of early 70s British annuals and yet it features a scene straight out of an American superhero comic. Its a fascinating blend, the more restrained, somewhat boring traditional British boys comic painting, and Kirby action. It almost anticipates Alex Ross...
Steve, I doubt there were any strange legal manoeuvres going on around that annual - its quite normal for publishers to licence out material to other publishers, especially in different territories. And as owners of Odhams, IPC had been reprinting Marvel stuff for a while.
As had other British publishers - I believe World Distributors (who used to do the Dr Who annuals back then) - put out out a Marvel annual in 1970.
-sean
A very happy Christmas everyone!
I love that annual cover. From the title font to the colour to the spare design and hints of 50s sci fi and horror comics, it's marvellous.
As for the music, retro 50s rock and roll love was all the rage in 1972. It crawls all over glam rock which was Little Richard with make-up.
That's if we ignore the fact Little Richard wore loads of make-up in the first place.
MP, Colin B and Sean, I do love that Marvel annual cover. It's a shame that nobody seems to know who did it. I've always wondered if it was by Rafael López Espí who reinterprated a lot of Marvel panels and covers for Spanish consumption. I have no evidence that it was by him, other than that I've always felt it has a Spanish or Italian look about it.
MP, the cover's based on a panel from The Hulk #2.
It does seem odd that Curt Connors only ever turns into the Lizard when he's wearing a lab coat. You'd have thought that, by now, he'd have learnt not to wear one.
Colin B, a happy Christmas to you too - and to everyone who frequents this site.
Colin J, I'm off now to check out various tracks that were in that week's singles chart. I'll also take a listen to Jimmy Osmond and reacquaint myself with the track.
The new UK Top 100 is out and Ladbaby has the Christmas #1 for the 5th year in a row. This time the song is called 'Food Aid' and it's an altered version of Band Aid's 'Do They Know It's Christmas' but the chorus is "Feed The UK" instead of "Feed The World". Do the people who pay 99p for this dross ever consider donating food to a foodbank instead? No, they'd rather buy a crap song and smugly say "I've done my bit".
The K*nts are in at #7 with 'F*ck The Tories' and 'Christmas Drillings' by The Sidemen is at #3 but otherwise the chart is chock-a-block with all the expected festive classics. The glaring omission is Cliff Richard's 'Mistletoe & Wine' which is nowhere in the Top 100. Is it because Cliff is regarded as a bit creepy nowadays? And if Charlie reads this, Andy Williams is at #21 with 'It's The Wonderful Time Of The Year'.
MOST Wonderful...D'OH!
Greg Lake's not made the Top 100 either, Colin. It's strange how some long-time Christmas perennials seem to have gone completely out of fashion in recent years.
Ooh, I've just noticed The Darkness' Christmas Time (Don't Let the Bells End) isn't in the Top 100 either.
For that matter, Frankie's Power of Love isn't in there and neither is East 17's Stay Another Day. Granted, neither of those tracks is really a Christmas song but they always tend to get viewed as being such.
SEAN - what an interesting observation about HULK and ALEX ROSS. Coincidentally, Alex Ross is having a fairly significant exhibit in my local library this summer (Elmhurst IL). He lives in northern Illinois.
MP- You are spot on hero! Being a scientist in the world of comics was a one way ticket to fame... or jail. Btw pal... thanks for the arctic blast! Me and the missus went out for lunch and it felt like we were getting punched in the face - literally! -1 Fahrenheit and 30 mph winds. Tell me again why you live in Dakota??? Are you in witness protection?
COLIN - I salute your persistence with the pop charts at xmas! Here is my question... why aren't xmas tunes #1 50 years ago vice My Ding-a-ling-a-ling? Or were they and I need to peruse the UK pop charts more closely?
MERRY XMAS ALL! HAPPY HOLIDAYS ALL!
Charlie - RFO and FFF
Charlie, I'd answer your question if I could understand it!
Steve, Mistletoe & Wine was the best-selling single of 1988 and it's probably one of the best-selling Christmas songs of the last 50 years so its' absence from the current chart seems stranger than those other songs you mentioned.
I've just discovered that this week's subject of 'Soul Music' on Radio 4 tomorrow is Greg Lake's 'I Believe In Father Christmas' so I'll definitely be listening to that.
I haven't bought the Radio Times Christmas Double-Issue this year so it's my first Christmas without the Xmas RT since about 1974.
Hi Colin, were xmas songs
present on the uk charts 50
Years ago as they are today? Cheers!
Hi Gents of the UK variety! What is the context for calling a hypocrite a Wally? I was listening to Talksport and one pundit referred to another as such.
Charlie, thanks for asking about the weather here in South Dakota.
I don't know what it's like in Chicago, but for over a week we have been in Ymir's icy clutch. It is literally warmer on some areas of Mars right now than it is here.
But, mirabile visu! According to the local news, we may be in the low 30's F by the end of next week. That will seem tropical.
They hadda close the whole state down this week, but I've noticed that the crime rate in Sioux Falls has plummeted along with the temperature. Nobody wants to go out and hold up a corner casino or gas station in this weather.
Particularly if you're planning on making an escape on foot.
But people getting stuck inside together? The rate of stabbings is holding steady.
M.P.
M.P. and Charlie- greetings, my brothers in the icebox! Here along the mighty Ohio it's all the way up to 1 degree F. We may have a rare white Christmas here!
Fascinating to hear the range of holiday hits here. I'm hearing Mariah Carey more than anything else. God thing I've got that "Charlie Brown Christmas " cd, Vince Guaraldi will raise the Spirit every time.
Warm wishes to you all this Christmas!
Stay warm and have a very merry Christmas, Red! And best holiday wishes to Steve and all my Fellow Frantic Followers of SDC!
F.F.F.S.D.C. for short. At least until somebody figures out a better abbreviation.
I have spoken!
M.P.
Yes, I have heard the Fimbulwinter may have arrived in the US, M.P.
Still, where I am is quite pleasant this morning - crisp with a clear blue sky - so no need to worry about Ragnarok just yet.
Charlie, I'm always in two minds about Alex Ross - you can't fault his work, and he's very good at what he does.
On the other hand though... theres something about trying to render comic book superhero imagery with that kind of 'realism' that just doesn't work for me, and I have been known to compare his style to Ladybird books*. Which is just mean, but if you're going to paint Marvel comics, why limit yourself like that?
*Ladybird books were 70s British illustrated kids books, with a very particular kind of art style.
-sean
I really dislike that Greg Lake record. Come on, what kind of grown man says he believes in Father Christmas?
-sean
Btw Charlie, if there was an Alex Ross exhibition in my local library, I'd still go...
-sean
Charlie, Xmas songs weren't so popular on the UK singles chart 50 years ago but in 1973 Slade, Wizzard and Elton John all had festive hits (Slade's 'Merry Xmas Everybody' stayed at #1 for 5 weeks) and Christmas songs seemed to become popular from then on.
Charlie, a "wally" normally means a stupid person, not a hypocrite.
Sean, the title of that Greg Lake song is supposed to be ironic. Anyway in the song he says "I believed (past tense) in Father Christmas" and the song is about the lost innocence of Christmas. It's a masterpiece in my opinion even if he did steal part of the tune from Sergei Prokofiev.
Anyone know why there is a d in fridge but not refrigerator? Wally
Its a riddle, wrapped in an enigma under a tree of mystery, Wally. The English language is a peculiar thing.
Colin, the ins and outs of Greg Lake's lyrics aside, its the sentimentality I don't much care for. Which is something you get with most Christmas hits, so in general they don't appeal to me.
Apart from 'Santa Dog' by the Residents of course.
And 'Boris Johnson is a ******* ****', and 'Boris Johnson is Still a ******* ****', but I think those two come under Steve's category of being Christmas songs not about Christmas as such really.
On that subject, 'Don't You Want Me' by the Human League is a record that somehow sounds appropriately seasonal at this time of year - to me anyway - even though theres no real reason it should. Other than it happened to be #1 at Christmas, and you couldn't escape it at the time.
And yet 'Another Brick in the Wall' by Pink Floyd was also a Christmas #1 you couldn't get away from, but I've never found that to be particularly festive at all. Even though it has kids singing on it.
Funny how these things work.
-sean
Steve and The Gang:
Merry X-mas and Happy Holidays
Stay warm and safe
b.t.
dangermash will shortly be pouring a large Baileys with chunks of vienetta rather than ice cubes and then reasoned debate will be out the window. Happy holidays people
Ooh, its third person time. Unless Mike's making a comeback.
Either way, have a good one.
You too b.t., and everyone else, pah ruppa pum pum.
-sean
If anyone wants an overpriced stocking-filler (I'm waiting until the price drops), it seems Moorcock's written a new Elric book! Its title is 'The Citadel of Forgotten Myths'. Doesn't exactly trip off the tongue, does it? Supposedly, the book fills in the dragons' backstory (doesn't sound promising).
Scott Edelman's Al Milgrom interview's in a week's time (something I'm looking forward to).
My brother's visiting for Christmas, and I hope everyone else is faring well, with team America hunkering down, under the 'bomb cyclone' (and maybe opening the odd present on Christmas Eve - although last year I think Charlie told me that's not the case in a lot of states!)
Merry Christmas to everybody!
Phillip
Merry Christmas Steve and to everybody who reads Steve Does Comics!
I've been listening to the documentary on Radio 4 about 'I Believe In Father Christmas' and it turns out Greg Lake only wrote the music while the lyrics were written by Peter Sinfield. I've loved that song for decades and I just took it for granted that Greg Lake wrote the whole thing so what a revelation! And they also mentioned that part of the tune is lifted from Prokofiev's 'Troika' so it was an interesting documentary.
Well, that makes a kind of sense Colin, as they were both in King Crimson early on. Although 'I Believe In Father Christmas' is some way from 'Twenty First Century Schizoid Man'.
As is 'Land of Make Believe' by Bucks Fizz, which Sinfield also did the lyrics for. Clearly a man of varied - and questionable - literary skills...
-sean
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